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Phil Douglis | all galleries >> Galleries >> Gallery Three: Expressing human values > Window Seat, Santa Fe, New Mexico, 2005
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15-JUL-2005

Window Seat, Santa Fe, New Mexico, 2005

I found this man seated precariously on a window ledge of a jewelry store. A wooden canopy over the sidewalk throws shadows created by a low morning sun on both wall and ground like, creating a series of diagonal and vertical lines enclosing the man, as if he were hemmed in. The abstracted figure seems to be either dozing or sad. I’ve implied a number of human values here, among them loneliness, despair, exhaustion, meditation, and discomfort. Or perhaps he’s just killing time. This image offers us a good example of how body language and context, combined with abstraction, can express values that all of us as humans can relate to and appreciate.

Canon PowerShot G6
1/1250s f/4.5 at 15.8mm full exif

other sizes: small medium large original auto
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Phil Douglis20-Oct-2005 00:42
This image is made with a 24mm wideangle adapter on a compact digital camera. The posts seem to be leaning because of the inherent barrel distortion of such a lens. Viewers are used to seeing such distortion and generally disregard it. This image is not tilted. I oriented it on the large vertical shadow, the anchor of this photograph.
I fully intend the eye to move back and forth between the man and the shadow, the active axis of this image. The image is entirely in focus, as I intended. The depth of field of this compact camera and its wideangle conversion lens is tremendous.
Denny Crane 19-Oct-2005 21:30
My eye is drawn back and forth between the recovering jogger and the large shadow (and smaller shadow) on the right. I'm not sure which one is more interesting (the shadow or the man). He might be feeling sick in his stomach, doing some kind of exercise, or contemplating his growing paunch. His feet and legs are tensed, so he's not really relaxing. Maybe just catching his breath. The tilted horizontal hurts the composition. The posts on the left side should be vertical, not leaning over. The guy might be better framed further to the right, and get the distant figure a little closer and in some light or silhouette to balance the composition. The lighting is okay, except the back part of the man is dark but not a silhouette -- so he looks underexposed there, and you squint to find any details. I want to see how his hands are on the ledge, or just darken him into a silhouette except for the thin edge of highlighting on his head and knees. The focus is off -- it's on the closest area if the picture, which is the wall and and bricks at the far right. The depth of field is fairly shallow, so the man is beyond the range of sharp focus. I suggest straightening the horizons and focusing on the main subject -- the man, unless there is a good reason to focus on something else.
Phil Douglis09-Aug-2005 16:20
Thanks, Dandan for this comment. I had hoped to make the point that this man seems to be caged or hemmed in by those thoughts you mention. His positioning, body language and the placement of the shadows, all help express this idea.
Guest 09-Aug-2005 10:20
An escaped moment. He looks like a “cave man” that needs to be left alone and away from everything (problems, responsibilities…). And he just found his idea place to catching up his own thoughts…
Phil Douglis25-Jul-2005 19:00
I love your analysis of this image, Kal -- it validates my intentions in placing him in the center of the composition. I wanted him to be caged in those shadows, and by combining, as you say, the man and the space in this manner, I have truly enclosed him.
Phil Douglis25-Jul-2005 19:00
I love your analysis of this image, Kal -- it validates my intentions in placing him in the center of the composition. I wanted him to be caged in those shadows, and by combining, as you say, the man and the space in this manner, I have truly enclosed him.
Kal Khogali25-Jul-2005 12:42
An image after my own heart Phil. I love it. The compostion placing him almost at the centre is key here, it makes him the centre of the world, without all others. It creates the feeling of space around him. Any other composition would have created tension through the rule of thirds between him and the space, and this image is not about tension, it is about the man and the space combining.
Phil Douglis23-Jul-2005 21:09
Thanks, Mo. I can't answer your questions, because I have no idea what he is thinking. He sat there for a long time, either looking down or straight ahead. Maybe he had a hard night? Or perhaps he has other concerns. All I know is that never looked at me. I must have made twenty or thirty images of him sitting in this place, in this light, among those shadows. This one best expressed his mood.
monique jansen23-Jul-2005 14:14
I have come back to this image several times now - it appeals to me because of the overall use of color, use of shadow and light and the mystery surrounding the lone sitting man - is he just exhausted by life itself, is he worn down, is he poor or just taking a break from it all? This image poses a lot of questions from the viewer.
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