This chapel is lodged in the only remaining 13th century gate to the old town of Gradec, now part of Zagreb's historic Upper Town. In 1731 a fire ravaged the area but a religious painting on the wall was left undamaged. Hundreds of visitors a day still come to this chapel to see the painting and stay a few moments to stand or stand or sit in silence before the painting. I waited until the crowds thinned, and only two visitors remained. They chose to sit in the rear, as far away from the actual shrine as possible, yet still be within view of it. Solitude is a human value, and this image is largely about being alone with one’s thoughts and prayers. Peacefulness is another human value, and there is a pervasive sense of silence coming from this image. By isolating just one couple in the darkness of the otherwise empty chapel, such values can find a voice. The woman is the most prominent, because she sits closest to the light of the street that runs through the old gate. A man can be dimly seen behind her. The votive plaques that line the walls of the chapel are also almost invisible. They comprise a contextual tapestry of faith for those who notice them and recognize their significance.