Much of the wrought iron work we saw was wonderful and photogenic. Phil has a great example at his Myanmar gallery: Botataung Gate, Yangon. I especially like this one because it represents, for me, the mystery of what I was seeing throughout the trip. I only had time and understanding to see the surface outline of the culture, as symbolized by the the wrought iron Buddha, but I could glimpse that there was a depth a beauty behind it that I have yet to understand.