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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Three: Using light and color to define and contrast textures > William Howard Taft, The Old State Capitol, Phoenix, Arizona, 2008
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23-OCT-2008

William Howard Taft, The Old State Capitol, Phoenix, Arizona, 2008

Arizona’s admission to the union was preceded by political conflict involving President William Howard Taft over the state’s right to recall judges. Eventually, a compromise was reached and in 1912, Arizona became a state. The hard feelings have long evaporated -- an oil painting of Taft, whose signature eventually granted statehood to Arizona, still hangs in its old state capitol building. As I moved in on that painting, I noticed how the light was playing with the textures of the paint, which seems to be exploding into Taft’s face. Given the political strife over Arizona’s statehood, I thought this explosion creates an appropriate metaphor.

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Phil Douglis29-Oct-2008 18:21
Thanks, Rusty -- abstraction often jars the sensory systems, at least until we figure the abstracting medium out. In this case, it is the play of light on the textures of an oil painting. The speckled highlights are bouncing off the brush strokes, creating the explosive effect I was looking for to express political strife and discord.
russellt28-Oct-2008 22:23
the way the brush strokes feel, captured in a photograph. mixed up sensory systems, but it seems to me and important part of an oil painting viewing experience. you capture that here.
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