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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Eight: Using symbols and metaphors to express meaning > Hemmed-in, Arizona Science Center, Phoenix, Arizona, 2008
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Hemmed-in, Arizona Science Center, Phoenix, Arizona, 2008

It was just a schoolboy kneeling on a balcony wall. Yet the web of light and shadow that flows around him is extraordinary, creating a symbolic cage that seems to lock him in and limit his options. I was able to layer the image from top to bottom by linking the crate -like roof to the shadow it casts on the floor and wall. The rail he leans on repeats the horizontal thrust of both wall and roof. The only color in the image was his light blue shirt, which disrupted the somber tone of my hemmed-in concept. I remove that color by converting the photograph to black and white, and in the process add still another layer of abstraction to the image, making it seem almost surreal.


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Phil Douglis19-Oct-2008 18:59
And that is what makes expressive photography so fascinating, Carol. Different viewers will see the same image and come to entirely different conclusions. Such is the case with art in general -- the more interpretations there are, the greater the potential meaning.
Carol E Sandgren19-Oct-2008 05:44
Instead, I see the boy as about to flee, escaping the web of shadows.
Phil Douglis29-Sep-2008 17:25
I made this image, Cyndy, because of those lines and shadows. I look for the play of light and shadow first, and only then proceed to consider the nature of the subject itself. Without those lines and patterns, this image would be descriptive, rather than expressive.
Guest 29-Sep-2008 06:29
Love the lines and shadows...you are so adept at seeing these opportunities, Phil. The hemmed-in feeling adds tension to the image, too.
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