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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Seven: As others see me > Composing on the crest, by Tim May. Mesquite Flats, Stovepipe Wells, Death Valley National Park, California, 2007
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21-FEB-2007

Composing on the crest, by Tim May. Mesquite Flats, Stovepipe Wells, Death Valley National Park, California, 2007

Tim sees me as part of the landscape here, a lonely figure that gives his image scale incongruity. He titles his image simply “Photographer,” giving the image enough verbal context to define my purpose. Note how he waits until I stand astride the line where the sand ends and the shadow begins. In a way, he implies here that as photographers, we are often “pushing the edges” as we work, walking that tightrope between the reality before us and the power of our imaginations to transform it. (He also says in his caption that I was muttering the whole time I was working the image.” He is correct – sand dunes, particularly those trampled by dozens of other tourists, and populated by other photographers, are not my favorite subject matter.) I was able to make a worthwhile teaching image from here, however. You can see it in my Composition gallery by clicking on the thumbnail below:

Olympus E-330
1/640s f/6.3 at 95.0mm iso250 hide exif
Full EXIF Info
Date/Time21-Feb-2007 16:37:49
MakeOlympus
ModelE-330
Flash UsedNo
Focal Length95 mm
Exposure Time1/640 sec
Aperturef/6.3
ISO Equivalent250
Exposure Bias
White Balance
Metering Modemulti spot (3)
JPEG Quality
Exposure Programprogram (2)
Focus Distance

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Phil Douglis21-Aug-2007 06:18
Tim does indeed make us look "into" instead of "at" this image. That curve carries the eye right to me and beyond. Thanks, Patricia, for this observation.
Patricia Lay-Dorsey21-Aug-2007 03:01
The curve of light and shadow, and you, the solitary human, engulfed in the vast sandscape against the mountainscape in the distance, mixed with the texture of the sand ripples in the foreground. All of this makes me catch my breath when I look into (not at) this image.
Phil Douglis16-Apr-2007 05:11
Thank you, Xin, for pointing out the fact that Tim has caught me standing where the Yin meets that Yang--where earth meets heaven, active meets passive, and male meets female. I become a symbol upon a symbol here -- man meets nature. I had not noticed the symbolic significance of the shapes of light and shadow here until you mentioned it.
Sheena Xin Liu16-Apr-2007 02:06
Your presence made the audience know the vastness of the sand dune, and Phil, did you notice that, you stood at the border between that Yin- Yang token? Very interesting placement of you into this symbolic natural metaphor.
Phil Douglis11-Apr-2007 22:42
What a sentence, Ceci. Tim made the image and you wrote the biography here. Thank you for summing up what I try to do, so very well.
Guest 11-Apr-2007 18:24
What a lovely shot, the reverential "reporter" Phil standing on the great soft belly of the shifting earth, inviting into his magic box the interplay of light, shadow and so-called substance, in order to carry it home to transform it alchemically (by his wit, wisdom and experience) into lessons on how to see more fully--for those who desire it.
Tomasz Dziubinski - Photography30-Mar-2007 19:08
Excellent shot.
Phil Douglis25-Mar-2007 18:21
Thanks, Hina. I am sure Tim will thank you.
Phil
Guest 25-Mar-2007 18:00
great shot tim!
Phil Douglis23-Mar-2007 21:27
Nothing makes one feel more humble than standing in nature's house, Diane. Thanks for coming to this gallery, and commenting on Tim's photo of me.
Guest 23-Mar-2007 21:18
A humble perspective..the sand dwarfs the man
Phil Douglis22-Mar-2007 18:41
Good points, Ken. I am sure Tim will be as pleased with your comment as I am. Your metaphor speaks of gradual change. Photographers are always changing as well -- just as nature evolves, so do artists.
Ken McColl22-Mar-2007 15:56
Hmm, I like the way the sand dune is smooth, worn down to its very essence... as the rocky mountains will be too one day...great contrast both visually and metaphorically. A photographer catching the last glimpse of a mountain before it erodes into a sand dune. ....nice. KMc
Phil Douglis18-Mar-2007 18:08
Tim makes the central point here in speaking of his own vision. When we express ourselves in photographs, we reveal as much about ourselves as our subjects. Tim may be using me as his subject here, but he says as much about his own artistic motivation as mine.
Phil Douglis17-Mar-2007 18:58
Thanks, Chris -- Tim will appreciate this comment. That curve you mention leads the eye directly to me at the top of the dune.
Chris Sofopoulos17-Mar-2007 08:54
Wonderful image Tim. I love this curve of the shadow at the sand as well as the position of Phil at the top.
Tim May17-Mar-2007 06:59
Sometimes, I feel that if people really SEE my images, that they are really seeing a part of me. It is the drive to share how I "soul-see" the world that keeps me image making.
Phil Douglis17-Mar-2007 05:56
Glad Tim's image of me makes you think of how much we must give of ourselves as expressive photographers. You are right, Jenene -- our viewers may or may not come to understand what we are trying to say to them, but we will continue to give them ample food for thought.
JSWaters17-Mar-2007 04:53
Loneliness and solitude are only part of the equation - whether we succeed or not, we're still on the top of the hill, baring ourselves, offering bits of our souls to either be commended or ignored. But we'll continue either way.
Jenene
Phil Douglis15-Mar-2007 19:09
Good point. I think that being lonely is part of photography, Shirley. It is by nature, a solitary pursuit. And when you succeed, yes -- you do feel as if you are on top of the world.
Shirley Wang15-Mar-2007 15:05
Wonderful image. Such loneliness is not bad when you are on top of the world.
Phil Douglis14-Mar-2007 21:21
Thanks, Vera, for this comment. I am glad you appreciate what my friend Tim has done to make this image expressive, and I am happy that you are learning from my galleries. I welcome your comments, and will always respond.
veraferia14-Mar-2007 18:07
Wonderful work with light and shadow! I am an amateur who is learning a lot with your work!
Phil Douglis13-Mar-2007 02:17
I thank you on behalf of Tim, Esme, for seeing his magic at work here. You are right -- from Tim's vantage point, the footprints are not visible. I was apparently air-lifted to the spot by the Photography Gods. However, when seen up close, the area was full of footprints, including my own. There is a great sense of depth here, provided primarily by the gentle curving line between light and shadow that leads to me.
Guest 13-Mar-2007 00:14
I love how there are no footprints, like you just plopped down on top of the dune. I also like that you are in the shot, to give a sense of perspective. The hues add such depth as well. Well done Tim and Phil.
Phil Douglis12-Mar-2007 20:28
Thanks, Daniel. I agree -- the desert itself can be a very spiritual experience, particularly if remote -- such as the Sahara was for me. (Seehttp://www.pbase.com/pnd1/image/72906331 for an example.) However the dunes at Death Valley are limited to a relatively small area, and are heavily touristed, making it difficult to get images of it in a pristine state. However my friend Tim May, who made this shot, got up early and went out the next morning to make a wonderful image of these same dunes in the context of their surroundings. See:http://www.pbase.com/mityam/image/75506420
Guest 12-Mar-2007 20:16
I love the desert.
It's a place where somebody have more space to contamplate the inner part of us. Not to mention the night skies... Havnt seen such a clean and clear sky like never before.
Phil Douglis12-Mar-2007 16:50
Your comment finds the other side of the coin that Victoria mentioned today, Kal. She said I appear to be a "great lonely figure" while you see me in Tim's image as being on top of the world. Both views are accurate. All of us must struggle in this art by ourselves. We are responsible for our images -- nobody else is. And yet, when we struggle and are able to succeed, we have a feeling of accomplishment that can be equated to "scaling the heights" and "being on top of the world."
Phil Douglis12-Mar-2007 16:46
Thank you, Victoria. You are right -- there is a sense of loneliness in Tim's image. Loneliness is a solitary state. And that is what all of us face as photographers. Photography is not a group activity. It is just us and our camera. You are very perceptive, Victoria.
Kal Khogali12-Mar-2007 14:50
There is something magestic here. A feeling of you being on top of the world, despite it being bigger than you. You have scaled the heights. K
Victoria12-Mar-2007 13:25
Beautifully view, this is great ...great lonely figure
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