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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Eight: The camera as time machine: linking the past to the present > Doorway, Tecopa, California, 2007
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18-FEB-2007

Doorway, Tecopa, California, 2007

We saw a vandalized house on top of a hill as we drove through Tecopa. And then we slammed on the brakes. There was a figure standing in the doorway, watching us. The figure turned out to be an illusion. It was just a panel of torn plywood that happened to look like the silhouette of a person holding a hand to a hip. Yet it still called out for an image. I took a vantage point that half obscures the mysterious figure in the doorway, further abstracting it, as well as stressing the dilapidated context of the door itself. The longer I look at this image, the more it seems as if I am looking at a person. And that’s because I want to see that big black shape cut into the wall as a person. Our minds will dictate the content and meaning of such an image, not the facts. The peeling door is haunting as well. It has a window in it, but someone wanted to add more light, so he or she punched another opening just below the window. The figure was still standing there looking at us as we drove away. And because of this photograph, it always will be there, just beyond the front door.

Leica V-Lux 1
1/500s f/6.3 at 16.4mm iso100 hide exif
Full EXIF Info
Date/Time18-Feb-2007 17:20:29
MakeLeica
ModelV-LUX 1
Flash UsedNo
Focal Length16.4 mm
Exposure Time1/500 sec
Aperturef/6.3
ISO Equivalent100
Exposure Bias-0.33
White Balance
Metering Modemulti spot (3)
JPEG Quality
Exposure Programprogram (2)
Focus Distance

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Phil Douglis26-Mar-2007 02:34
I agree with your point. The simpler we keep a statement like this, the more likely it is that the abstract shadow will speak to us boldly and clearly.
Carol E Sandgren25-Mar-2007 19:45
I love your interpretation of this doorway. My own did not work as I asked you to pose in a similar fashion next to the shadow. The life of the shadowed figure alone is powerful enough.
Phil Douglis03-Mar-2007 20:46
There is certainly a trenchant sense of body language here -- the mysterious figure almost demands our attention and respect. I agree with your sentiments entirely --we are photographing these vandalized, forgotten places to honor the memory of those who built them and lived in them. And when others look at our images, they too will remember those long forgotten unknown individuals.
Tim May03-Mar-2007 19:26
So many of the deserted and destroyed houses we saw had echos of lives lived in them beyond the life when they were viable homes. Graffiti and residue of visitors who used these places for various activities and as canvases of expression. We, too, use them to express our vision. This ghostly figure seems to me to be reminding me of the spirit of these deserted places. It seems to be saying, "Treat me with respect. Honor the lives lived here."
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