photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Phil Douglis | all galleries >> Galleries >> Gallery Twenty Two: Black and white travel photography – making less into more > Place Jemaa el-Fna, Marrakesh, Morocco, 2006
previous | next
24-DEC-2006

Place Jemaa el-Fna, Marrakesh, Morocco, 2006

For centuries, this square has been the nerve center of Marrakesh and the symbol of the city. It has hardly changed. I made this photograph from the terrace of a restaurant overlooking the square, and converted it to black and white to stress the timelessness of the scene. Thousands of shoppers visit its markets, stalls, wagons, and shops by day. Outdoor restaurants are set up each evening, jugglers, dancers, and snake charmers perform, and the square echoes round the clock to the sound of North African music and throbbing drums. By reducing all of this to a black and white abstraction, such details are not seen, but left to the imagination. Note the flow of body language that carries us through the entire right center portion of the image – from bottom to top. It begins with the woman at center bottom carrying a large bundle on her back. Behind her, near the middle of the image, a man appears to be reaching for something. Behind him, a lone figure carries a tote bag. In the upper right hand portion of the image a motorbike drives away from the square towards distant carriages and individual strollers. The black and white rendering removes all detail, making these figures into abstract symbols of activity, and defining the essence of this square as Marrakesh’s central meeting place.

Leica V-Lux 1
1/1000s f/8.0 at 54.3mm iso100 hide exif
Full EXIF Info
Date/Time24-Dec-2006 07:10:50
MakeLeica
ModelV-LUX 1
Flash UsedNo
Focal Length54.3 mm
Exposure Time1/1000 sec
Aperturef/8
ISO Equivalent100
Exposure Bias-0.33
White Balance
Metering Modemulti spot (3)
JPEG Quality
Exposure Programprogram (2)
Focus Distance

other sizes: small medium large original auto
share
Phil Douglis01-Aug-2007 17:25
Thanks, Ai Li. Once again, I have chosen to go against the grain, and photograph this well known tourist destination in the heart of Marrakesh in black and white instead of color. You will see the lavish colors of Morocco in my other galleries, but this scene benefits from the power of abstraction, and black and white photography is a great abstracting force. It was a very very busy sight, but as you say, in black and white, the eye can navigate more easily through the crowd by flowing through the negative space.
AL01-Aug-2007 08:31
I sometimes relate a certain country or continent to a certain color. For example, I personally prefer to shot Europe in b&w. But I won't expect to see Morocco in b&w! Your choice has certainly removed the busy detail and let our eyes flow easier through the crowd to the road beyond.
Phil Douglis17-Jan-2007 18:38
Wonderful point, Tim -- from motorbike to horse drawn carriages, this image moves through time along that diagonal thrust through the crowds. They are oblivious to the transition -- few of us are conscious of where we may be on the time continuum. By taking out the color, I intensify the presence of both past and present sharing common ground.
Tim May17-Jan-2007 16:54
I see this as a flow through time - the diagonal flow starts in the present with a motor scooter in the bottom left and takes us back through time to what looks like animal powered carts in the upper right. The black and white gives us sense of history.
Phil Douglis11-Jan-2007 04:35
Glad you noticed the effect of this image, Ian. I built it around that diagonal flow of activity -- and planned it as a black and shot from its inception.
Leicestershire Wedding Photographer10-Jan-2007 23:36
Hi Phil, At first glance this appears to be just another shot of a crowd of people but when examined in closer detail and spot the diagonal line of action from foreground to background it really stands out as an excellent shot. Agree with the mono rendering too, it just wouldn't have had the same impact in colour. Voted
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment