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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Nine: The Layered Image – accumulating meaning > Goat, Shuhe, China, 2006
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31-MAR-2006

Goat, Shuhe, China, 2006

One goat. Many tether poles. It is an incongruous situation, made coherent by the use of layers. A foreground layer holds a tether pole. It serves as an entry point into the image. It draws us to the one holding the lonely goat – the primary subject layer in this image. A sea of tether poles and piles of hay comprise the next layer, while the buildings of the farm, one of them build in traditional style, makes up the final layer. A twisting path of straw carries us from layer to layer, each one adding incongruous scale context to the sole goat.

Leica D-Lux 2
1/400s f/5.6 at 6.3mm iso80 full exif

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Phil Douglis07-Feb-2007 19:59
Don't worry about this goat, Ceci -- it earns its keep every day, and I'm sure the cumulative value of its milk will far exceed a one-time sale as meat. I like your view of this goat as having wandered into the scene, instead of being tethered to a pole.
Guest 07-Feb-2007 06:53
I shudder for this little animal, alone tied to its pole, and for whatever fate might await it. Livestock in all parts of the world are at our mercy, and I know that goat meat is a delicacy for humans; but also its milk is valued, so perhaps it's being used for this purpose. This is a powerful and mysterious image, in which the creature might even be loose, having wandered into the scene. The poles could have any number of purposes, but they make a stark, interesting and commanding set of sentinels.
Phil Douglis23-Oct-2006 20:24
The goat does come to us a surprise. It seems overwhelmed by the forest of poles. Those buildings are not temples, Xin. They are barns. Thanks for your comment.
Sheena Xin Liu17-Oct-2006 23:48
Unexpected placement of standing trunks in front of the temples causes a great deal of incongruities, and even more surprising is the presence of the goat. Nicely framed image and it looks like a contemporary art with the many unusual settings injected with different moods.
Phil Douglis14-Aug-2006 20:24
I find it amazing how different people see pictures, Christine. You say you looked at this image many times, trying to see the goat, yet I built the image around the goat standing in the shadow of the pole in the foreground - it is my anchor and primary subject layer. Perhaps because the goat is in the shadow, it is more subtle and not as readily visible? The small goat and a field full of tether poles is certainly an incongruous subject -- glad you saw that here. And yes, they do use these poles to tether other animals as needed. The barns are built out of stone and wood.
Christine P. Newman14-Aug-2006 20:09
Phil, This is amazing, once we see the goat. I have looked at this picture many times, trying to see the goat. Such a tiny animal for all those big poles. Do they use it for other animals as well? I also find the shape of their "barns" interesting.
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