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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Seven: Bringing far to near with the telephoto lens > Into the night, Amsterdam, The Netherlands, 2005
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19-JUN-2005

Into the night, Amsterdam, The Netherlands, 2005

A small boat seems to hesitate before a bridge over an Amsterdam canal, as if its passengers were anticipating their passage into a world of shimmering gold. This image speaks to me of the lure of travel and all its possibilities. It also refers to the color palettes of the great Dutch painters who once lived and worked in this city. To make it work, I eliminated the top of the bridge, which was cluttered with distracting railings, cars, bikes, and trucks. I wanted as quiet and intimate scene as possible. I isolated the boat, the arch, and just enough textured water, reflecting various intensities of gold. The telephoto lens is an essential tool for isolating content and simplifying composition. The boat and arch were a long way from me, so I used a long 310mm focal length to compose the image in this manner. I focused on the boat, making everything sharp from the foreground to where the water begins to soften just after the arch. Normally, I do not center my subjects, but in this case I did so to intensify that feeling of hesitation. I wanted this image to draw this moment out forever. That is one thing still photography can do very well.

Panasonic Lumix DMC-FZ20
1/400s f/4.0 at 51.6mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis25-Oct-2007 22:20
Thank you, Chris, for adding a comment to this image, one of my favorites. It reminds me of an illustration from a old children's storybook. The figure seems to be riding the back of a turtle, moving towards the golden waters of another time and place. This is a good case for centered placement, too -- everything revolves around the fantasy journey of this sole figure.
Chris Sofopoulos25-Oct-2007 18:46
What to tell... So abstractive and with so beautiful colour and framing.
In my opinion you composed it perfectly on the centre of the image.
So magical photo!
Phil Douglis17-Apr-2006 06:26
I, too, felt the same sense of mystery and legend here -- this could well illustrate a children's book on a mystical world of winged whales! Glad it gave your imagination a ride.
Jeremy22-Mar-2006 15:09
I am fascinated by this picture. Without the benefit of your caption and description, I would not think it was taken in Amsterdam. But the theme of 'bringing far to near' or 'leaving near for far' is clearly expressed by the photo. I do not see a boat, but the silhouette of a man riding on the back of some mystical, lengendary creature (like a whale with wings) into the unknowns of the far/future which are bathed in uncertain, golden light, and leaving the knowns in the near/past that are exposed in the highlights of the foreground waters.
Phil Douglis10-Dec-2005 04:16
I saw the golden waters beyond that bridge as change for the better. Yet the camera has stopped this boat dead in its tracks. The rest? It's up to our imaginations.
jack 09-Dec-2005 21:19
The light at the end of the tunnel, or is it the beginning? Whether about to begin or near the end, change is coming.
Phil Douglis23-Jul-2005 21:55
I am not surprised you chose this image, Tim, to comment on. You and I are both avid travelers, and this image is as close as I've come to making an image that expresses the essence of why we travel. We often feel as if we are out there on the edge of the unknown. Yet once we have made our discoveries, and the unknown becomes the known and the remembered, the realization of our past travels settle in our minds as a satisfying reflection. And so the golden waters ahead and astern of the boat can interpreted as both anticipation and reflection. While there may appear to be much more here to reflect upon than to anticipate, the anticipatory waters ahead are very intense in coloration and the colors of the more extensive waters of reflection are much less so. Your comment makes me see still another metaphor here -- implying that anticipation is often greater than realization.
Tim May23-Jul-2005 18:57
I love that this represents, for you, the wonders of travel - the edge of going into the golden unkown - but I also like that the golden glow is also in the foreground - in the back of the traveler - our travels are not only in the wonder of what is to come, but in the reflection of/on where we have been and what we have seen. Thanks for an image that takes me beyond the fact of what is seen to the feelings and ideas it evokes.
Phil Douglis02-Jul-2005 20:05
I am glad you comment here on the symbolic meaning of color. I shot an image on this same canal fifteen minutes earlier of a boat coming the other way, and the color pattern can be read in reverse.
http://www.pbase.com/pnd1/image/45570121
As for your reference to avoid clutter, one of the problems is that when we concentrate totally on our subject, we often tend to be blind to other stuff in the picture. If we don't want to see it, we tune it out, so it vanishes. Yet the camera sees all. We must make it avoid the clutter. Clutter will not vanish from our photos unless we carefully pay attention to the role of everything in our frame. It will come with practice and thought, Kal. Your work has come a long way in a short time. You will eventually find that clutter and mergers will interfere less and less with your ideas.

Kal Khogali02-Jul-2005 13:56
As though the other side of the bridge is another world/place indeed. The colour of the reflections in the water become more intense and warm, a place to go to, compared to the cooler blue the boatsman leaves behind. He is at exactly the point where these two worlds meet.Wonderful timing and very original composition, I probably would have had the clutter!
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