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Phil Douglis | all galleries >> Galleries >> Gallery Fifteen: Making travel portraits that define personality and character. > Saleswoman, The Strand Gift Shop, Yangon, Myamar, 2005
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Saleswoman, The Strand Gift Shop, Yangon, Myamar, 2005

Perhaps the most elegant in Yangon, the gift shop at the old Strand Hotel offers an amazing array of Burmese arts, crafts, and antiques. The Strand is Yangon's most expensive hotel. Its 52 tasteful rooms were originally built in 1903 and reflect the heyday of British Rangoon, circa 1920s and 30s. I liked the similarity of the poses of both this saleswoman and the life sized carving gracing her shop. Each stands ramrod straight, with grace and quiet dignity, as does the big black container that stands between them. Hands are present in neither instance. One tucks them behind her back, the other has lost his somewhere along the way. Neither the saleswoman nor the carving is smiling at me, either. (Smiling for a photo is a custom that has yet to fully reach Burma and Laos.) I deliberately placed the woman off to the left hand side of the image to let her stand apart from the large black container and the carving. She is in a better position to show off all of her wares that flow across the image. Her white blouse makes her the focal point of the picture, because it contrasts to everything else in it. She was also one of the few Burmese women I met who does not paint her face in the ubiquitous Thanaka yellow makeup. If she wore it, it would most certainly clash with the Strand’s elegant European style. She is reserved, professional and represents the traditions of the Strand. For example, she may help you buy something here, but you would have to respectfully ask her for that help. Her portrait offers us a good look into the nature of the Strand itself, even though its hotel facilities are nowhere to be seen here.


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Phil Douglis27-Feb-2006 22:25
Well said, Galina, as usual. The saleswoman and that statue repeat each other's posture and beg for comparison. Each benefits from each other. The statue defines the nature of the saleswoman's job, and the woman tries to be as poised and refined as the art she sells.
Galina Stepanova27-Feb-2006 20:10
Strong repetition, which make viewer compare, is essence of this image of me.
Guest 25-Jun-2005 06:48
Interesting images, makes the mind wonder, nIce~!
Phil Douglis17-Apr-2005 03:49
I was struck by same point, Tim. This image has much to say about arms. She hides hers, while statue seems to be missing part of one arm, and perhaps all of the other. To me, the symbolic lack of arms and hands restrains expression of emotion, and creates an atmosphere of respectful silence in this place of ancient things.
Tim May16-Apr-2005 18:26
Miinerva expresses some thoughts about the interaction between the statue and the woman, which for me, is the axis of this image. I am caught by the fact that the statue is missing an arm - the past can remind us and encourage us, but it can't directly act on the present, while she has both her arms, hidden but there, and she can act and touch the future.
Phil Douglis08-Apr-2005 19:23
I can't tell you about the source of her personality, Benchang. All I remember is that she had a great dignity about her. I sense a great dignity connected with Buddhism as well, probably because of my contacts with monks in both Laos and Burma.
Benchang Tang 07-Apr-2005 12:47
She is quiet as the standing Buddha and as probably as most of the Laotian are. Is that demeanour from the influence of Buddhism?
Phil Douglis10-Mar-2005 16:51
I am glad that you see what I was trying to say with this environmental portrait, Zandra. I see what you mean about the angle of stance -- both the saleswoman and the statue are almost in the same position. There is not much more than I could have done about it, however. I never tell people where to stand or how to stand -- they must do it naturally and spontaneously. Otherwise I find they become self-conscious, and nothing ruins a portrait more than self-conscious body language or expressions. I think she is standing exactly where I wanted her to be, and she does, to my eye anyway, echo the posture of the statue.

As far as history coming to life, it does that to a degree already. The woman is flesh and blood. The statue and all of the items arranged around it are not. Yet she is a part of them and they are a part of her. You can sense it and feel it. And yes, there is much pride in her bearing. We never talked -- I simply walked over to where she was standing and made a few photos. I showed them to her and she smiled. But we never exchanged a word. I am sure, however, that she belongs here. She shows that to us with her comfort level.
Guest 10-Mar-2005 08:11
Yes, defenetly pride Phile, that is what i read in this picture as well. I can also see teh connection to her heritage. The strongest connection is without a doubt her pose and the stature. And i am suer that is what you had in mind as well. Did you ever considering teh angle she was standing in. I wonder if the bond to the statue/her heritage would have been even stronger if they were standing in the same angel. They are almost doign it allready. I think by doign that you would get a sort of "ghost image" feeling, a breath of history coming to life. Hard to explain what i mean. As i see it now though, as i mentioned, this is a young woman who is very proude of what she has acomplished. She is made even prouder by the fact that you recognise the work she had pu in toher store and value it enough to take her picture. She do look like she belongs in that store...
Phil Douglis28-Feb-2005 02:02
A good summary, Mo. There is a lot of pride in her bearing, and as you can see, well suited to her task and clientele.
monique jansen27-Feb-2005 10:21
This image tells the viewer about the pride this woman has in the goods in her shop, pride of in heritage, pride in her country and its rich culture. Yet she is dressed more or less western, with only a touch of local attire. Contrast, incongruity at its best.
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