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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Three: Stirring emotions through atmosphere and mood. > Shop Clerk, Yangon, Myanmar, 2005
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02-FEB-2005

Shop Clerk, Yangon, Myanmar, 2005

This young woman, her face painted with circles of Thanaka, Burma’s traditional makeup, was more than willing to sit for this portrait without mugging or self-consciousness. I was struck by her serious mood, which is reinforced by the darkness behind her. More than half of her form is in shadow, which conveys an atmosphere of emergence, a coming of age. She was sitting on a ledge next with a window on one side of her and a large red rug on the other side of her. The rug is barely perceived – it brings just a trace of color to the darkness, complementing the color of her red sarong. The portrait is profound in its serious mood and emotional tone because of the flow of light and deep shadow, and her serious expression, which never varied. To me, this is face of Burma’s next generation, about to come of age. It is mood and atmosphere that help it express this idea.

Panasonic Lumix DMC-FZ20
1/60s f/2.8 at 33.9mm iso80 hide exif
Full EXIF Info
Date/Time02-Feb-2005 10:01:38
MakePanasonic
ModelDMC-FZ20
Flash UsedNo
Focal Length33.9 mm
Exposure Time1/60 sec
Aperturef/2.8
ISO Equivalent80
Exposure Bias
White Balance (10)
Metering Modemulti spot (3)
JPEG Quality (6)
Exposure Programprogram (2)
Focus Distance

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Phil Douglis16-Apr-2005 00:42
You are right with me on this one, Ruth. I made this image because of how she looked -- she never moved and never changed her expression from the time I first saw her until I had finished making this portrait. Her seeming neutrality is, no doubt, an illusion. I think she was very curious about why I was making her picture, but she seemed very shy and self-disciplined -- so much so that she appears to be disinterested. I was drawn to her by the incongruity of what she was wearing on her body and on her face. There are indeed two worlds here, and she seemed to be in transition from Burmese culture to a less defined contemporary youth oriented culture. As I said in my caption, she represents the coming generation. Yet in the end, this picture asks as many questions as it gives us answers, and that to me is one of the functions of expressive photography -- to stimulate the imagination of the viewer. I am delighted that this picture was able to stimulate yours. Thanks.
ruthemily16-Apr-2005 00:25
i find myself totally mesmerised by this lady's expression. i think your previous comments have helped me understand why. she is looking out from the shadows and i can't help but wonder what she is seeing, feeling, imagining. it seems like she is waiting her turn for something. her gaze is hard to work out...her expression seems neutral, but i imagine there are deep thoughts going on. i also like the juxtaposition of the "western" "modern" (i use those terms loosely) clothing with the traditional make up. perhaps that links into the idea of her generation bridging a change from old to new, as you have portrayed with the looking from dark to light. stuck in the middle, perhaps? confusion? it is hard to fully understand but maybe we don't need to. maybe she doesn't fully understand either.
Phil Douglis02-Mar-2005 23:16
Yes, the new tool is one of the ways I work with light and shadow in Photoshop, Mo. The first thing I do when I have an image that is very heavily shadowed, such as this one is, is use the new "Shadow/Highlight" tool to open everything up and take a look at what is really IN those shadows. Then I gradually bring back the shadows with the slides in that tool's dialogue box, until I reach the spot where I have rich shadows but still have the details I need for meaning. I then put the image through the my regular enhancement process -- I use "levels" to fine tune exposure, as well as adjusting the color balance, contrast, saturation and unsharp mask controls, making whatever small enhancements I still might need to make. (Much of this work is usually done by photoshop pros with the "curves" control, which I still find very very difficult to understand and use, since I am not really into the technical side, and curves can get infinitely complex for me.) Hope this helps.
monique jansen02-Mar-2005 10:23
you work with light and shadow in photoshop, is that the new tool in Photoshop you mentioned before?
Phil Douglis01-Mar-2005 19:11
I agree with you on this, Mo. There are many factors here that create mood and meaning. The warmth of the color, the serious expression, and her confidently relaxed body language, add much to the emotional tone here. The interplay of light and shadow is also very important in creating mood, atmosphere and meaning. I worked on this image for a long time, trying to find just the right amount of shadowing to suggest an emerging presence. Not too much, not too little. Even the little neat circles of Thanaka she has painted on her face contribute to the emotional tone here -- they are so small and restrained, almost dignified, compared to the larger smears I saw on the faces of many older women in Burma. To me, this young lady symbolized a new and different Burma, and I tried to create a mood here to bring that out.
monique jansen01-Mar-2005 15:26
Color, expression, the way she holds herself, it all adds to the mood of this photograph. Very serene portrait.
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