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Phil Douglis | all galleries >> Galleries >> Gallery One: Travel Abstractions -- Unlimited Thought > Locked Chairs, Mission Bay, San Diego, California, 2004
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18-APR-2004

Locked Chairs, Mission Bay, San Diego, California, 2004

Locks are part of life. We all use them to protect our belongings. Even in a vacation paradise, we need to have locks and cables to secure the two beautiful wooden patio chairs gracing this sun-splashed Southern California bayside vacation patio. I took on the challenge of converting this situation into a photograph symbolizing the nature of our times. The most effective way to create symbols is to abstract the subject by removing detail and leaving it up to viewers to come to their own conclusions. I moved in close and shot into the sunlight to turn the lock, cable, chair legs, and the wavy shadows of the chairs into silhouetted forms juxtaposed upon the diagonal grid of brown patio tile. The result: an ironic comment on the need for locks and cables to keep people from stealing chairs used purely for relaxation.


Canon PowerShot S400
1/160s f/11.0 at 22.2mm full exif

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Guest 07-Mar-2006 11:32
I don't see marriage. I see imprisonement, doctrine, inflexibility. The rust adds to the helpless feeling. I find this shot sad...
Phil Douglis20-Dec-2004 01:10
Thanks, Mikel and Vera, for both coming to this image as metaphor for marriage. I am open to this interpretation as well, and I agree with Vera's point about shadows and light representing various aspects of married life. Although marriage was far from my mind as I shot this image, I can easily adjust my mind set to accept your viewpoints as valid. However I do not feel that I must repeat the point of being tied together by also including the shadow of the lock and chain here, Mikel. That shadow was falling way down at the bottom of the image, and to get it in the frame would have required me to back up, and add more space (and less abstraction) to the image. I think the real lock and chain works well here on its own.
Guest 19-Dec-2004 23:45
Seems that most people see this image as symbolic of some human relationship -- me too! I see it as a married couple (or couple that want to spend the rest of their lives together), who are bonded (affectionately) & also bound (legally and whatnot) by their vows to each other. There are bright & happy days, but there are almost inevitably some darker & stormy days. But where there is sunshine for you to enjoy, you must also anticipate & accept the presence of shadows. And in a relationship, happy days will only be genuinely felt happy if you also experience some occasional rough times. Vera. :-)
Guest 14-Dec-2004 21:57
Or a symbolism of marriage... ;) your right that it is kind of demential this life were we have to secure everything, even the chairs for them not to be stoled. But I just feel like there is something missing in this case, and is the shadow of the chain and the lock on the floor to, don't you think that repeating this element in this way you wold enphatise in this fact a bit more yet?
Phil Douglis01-Dec-2004 22:28
Everybody sees pictures in their own way, Clara. If you choose to look at the interplay of light and shadow as an adventure in pure abstraction, more power to you. You make me very happy.
Guest 01-Dec-2004 17:31
I see the lock but to deduct is attaching two chairs is an effort to me, since my eyes prefer to see the whole image as a pure abstraction, a formal experiment of lights and contrasts, which happens to be very well solved by the way.
Phil Douglis19-Nov-2004 04:16
Good. It makes me uncomfortable too, AMP. That's why I made it that way. it makes me uncomfortable to visit a vacation community where people have to chain their chairs to each other to keep them from being stolen. so I photographed the chairs as shadows of themselves. You are right. We have locked ourselves into a jail of our making Glad this picture disturbs you. It should.
AMP19-Nov-2004 03:07
This image make me very uncomfortable.The sunlight that like so but is locked.Only see the chair of but the feet can not see whole image of chair.I only feel to suppress, imprison.
Phil Douglis30-Oct-2004 22:45
A warm and wonderful interpretation, Nut, and far different from what I was trying to say. Which is fine. Some will see my idea in this image. Other will see their own ideas, which is part of my job as an expressive photographer. To stimulate the imagination of my viewers.
nut 30-Oct-2004 08:45
Because your photo told me this. Sunshine, sun light, light, nature light always give a life to
everything in this world. Not only human.
Phil Douglis29-Oct-2004 21:52
Just strong enough to warm each other, indeed. I love the way you have endowed these chairs with human qualities, Nut.
nut 29-Oct-2004 18:08

Hand in Hand, not too tie. Just strong enough to warm each other.
Phil Douglis24-Oct-2004 17:53
I was fascinated, Zebra, by your interpretation of the shadows. I can see how their length would suggest the passage of time. I have just been having a long argument with one of my favorite critics, Celia Lim, a Malaysian designer, about the meaning of shadows in my River Svir Sunset image athttp://www.pbase.com/pnd1/image/20822717. She feels that the shadows convey negative thoughts. I thought they helped convey a positive sense of quiet and tranquility. That one small point -- the meaning of dark shadows -- determined how each of us saw that picture. I made that image as abstract as I could by exposing for the sky instead of the water, yet Celia felt I had created a threatening image by doing so. What do you think?
Guest 24-Oct-2004 13:50
A wonder example for your conception : less is more.
To me,shadow stands for time passing,but others must have different idea.Yes, abstracting the subject is better than show its detail.
Phil Douglis22-Oct-2004 01:48
I love your interpretation of this iamge, Yunyue -- if my pictures can stimulate thoughts such as this in your mind, they must be doing their job.
Unknown Name17-Oct-2004 08:21
Like this one. In fact, I have a quite different feeling from this image. I saw the fate of two chairs was locked together, side by side, just like a couple. And this relationship will be long last, no matter wind or rain. Partly I think it's because of the warm color, I can't think too negtive of it.
Phil Douglis27-Apr-2004 18:14
I love your interpretation of this photo, Likyin. I used the lock as a negative symbol, and you see it as a symbol of a secret relationship. I saw the Spanish tile as a symbol of comfort and informality, yet these brown ceramic tiles seem to represent rust and time -- the wear and tear of life -- in your eyes.

You see a warm, sweet firm image, and I see it as a bittersweet comment on what our society has become.

This is what makes photography such a wonderful medium, Likyin. I make my point, yet you are still able to see in it whatever you want to see, and make of it an entirely different image, yet equally worthwhile. Any photograph can mean different things to different people -- it is a medium that runs broadly and deeply through the human imagination. And I am delighted that you found so much to like and think about within this image.

Phil
Guest 27-Apr-2004 16:12
My feeling is: a sweet feeling of being locked between other. There are some relationships that could really be stable, long lasting, just like someone out there secretly locking them up.
The rust gave an idea of time, wind and rain of life.
I love also the the shadow's contour which was curved by the uneven floor. It appeared just more elegant.

really love this image. Warm, sweet, and firm.

Likyin
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