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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Two: Black and white travel photography – making less into more > Layers of light and shadow, Recife, Brazil, 2010
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23-DEC-2010

Layers of light and shadow, Recife, Brazil, 2010

This image of a cruise ship steaming its way out of Recife’s harbor uses black and white abstraction to stress the play of light and shadow on both the sea and in the sky. I built the image around six stacked layers of light and shadow – anchored by the reflection in the lower right hand corner. The silhouetted barrier reef that gives the town its name (Recife means reef) comes next, separating the harbor from the ocean itself. The dark expanse of the sea leads the eye to the distant ship, its stack lifting a plume of smoke into the clouds overhead. The sun again reflects on water just ahead of the ship, leading it into its journey. The brightest light in the photograph is the sun itself at the top of the image, echoing the reflections below. Using backlighting to make this image makes color redundant. The scene works best in its simplest form – a black and white abstraction.

Panasonic Lumix DMC-GH2
1/4000s f/22.0 at 45.0mm iso800 hide exif
Full EXIF Info
Date/Time23-Dec-2010 02:51:10
MakePanasonic
ModelDMC-GH2
Flash UsedNo
Focal Length45 mm
Exposure Time1/4000 sec
Aperturef/22
ISO Equivalent800
Exposure Bias-0.66
White Balance
Metering Modemulti spot (3)
JPEG Quality
Exposure Programprogram (2)
Focus Distance

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Phil Douglis24-Mar-2011 19:36
Interesting observation -- the black and white rendering does indeed take us back in time. Given a wartime context, this image would make a touching "final glimpse" of a troop ship on the way to battle. Yet given a cruise context, the image can also express the long and romantic tradition of the great ocean liners, past and present.
Tim May23-Mar-2011 20:55
Taking a cruise is intended to be a pleasure. Yet this image evokes a mood of dread and foreboding. It reminds me of the Queen Mary embarking on the journey of troop transport in WWII.
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