The Tunis Cathedral was built in the late 19th century during the French colonial rule of Tunisia. I frame it between the ornate lampposts from the same period that line an avenue modeled after the Champs-Elysees in Paris. Suddenly interrupting a rhythm can be just as important as maintaining a rhythm in photography, and that is what is happening in this image. Yet even while breaking the rhythmic progression of the vertical lampposts, the rounded domes on the towers of the cathedral also continue that progression by repeating the rounded shapes of the lamps, just as its vertical towers repeat the vertical lampposts.