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Tim May | all galleries >> California's Diversity:: a collection of galleries >> GALLERY :: East of Death Valley, February, 2007 > -WHO INVITED YOU?-
Tecopa CA February 2007
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18-FEB-2007

-WHO INVITED YOU?-
Tecopa CA February 2007


This deserted house sat atop a small hill. As we approached, we noticed that the ghost of the house seemed to be standing in the doorway with an attitude.

Olympus E-330
1/500s f/9.0 at 163.0mm iso200 hide exif
Full EXIF Info
Date/Time18-Feb-2007 16:14:29
MakeOlympus
ModelE-330
Flash UsedNo
Focal Length163 mm
Exposure Time1/500 sec
Aperturef/9
ISO Equivalent200
Exposure Bias
White Balance
Metering Modemulti spot (3)
JPEG Quality
Exposure Programprogram (2)
Focus Distance

other sizes: small medium original auto
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Iris Maybloom (irislm)28-Mar-2007 01:20
This picture almost makes me believe in ghosts!!! The foreground appears to be a barricade trying to prevent its return, but this is one determined ghost. It makes me wonder what secrets this house holds.
Phil Douglis10-Mar-2007 22:46
Thanks, Tim. As far as I'm concerned, it does.
Tim May10-Mar-2007 22:35
Wow! I love the sentence "Expressive photography comes from the soul, not the camera."
Phil Douglis10-Mar-2007 21:51
I am fascinated how we both photographed the same subject, yet told entirely different stories. Your image speaks of not only desolation, but the hardness of life. Your empty window represents a hole in the "soul" of this lifeless place. I chose to stress the detail on the surface of the building instead, and include a smaller window instead of the larger one. (http://www.pbase.com/pnd1/image/75093043 ) You offer more context than I did -- while I stressed the figure's trenchant body language and the rotting door. Using the same subject, each of tells our story differently. This comparison is further proof that there are no "right or wrong, better or worse, good or bad" ways to deal with a particular subject. Those that think photography is a matter of following rules or competition standards, are doomed to stagnation. Expressive photography comes from the soul, not from the camera.