Photography at the Grand Canyon is overwhelmingly difficult, at best. The subject is best worked at dawn or twilight, when light and shadow sculpt the massive rock formations into coherent forms. It is a vast subject – almost two three hundred miles long – yet most of us are limited by time to shooting the canyon from a relatively few well known vantage points. In this case, a photographer is shooting the canyon at sunset from the stone viewing porch of the Lookout Studio, which was built in the early 20th century as a gift shop/lookout point. The great American Southwestern architect Mary Elizabeth Jane Colter designed it to harmonize with its setting. I juxtaposed this photographer working from the stone terrace of Lookout Studio, against the enormous bulk of the reddish rock looming before him from the canyon floor. He is small, and his task is large. He has a challenge before him – he must somehow avoid copying an image he has seen time and time again. He must find new life in an old idea. And that is the story I am trying to tell with this juxtaposition.