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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Eight: Using symbols and metaphors to express meaning > Inmate, Khmer Rouge Security Prison, Phnom Penh, Cambodia, 2008
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10-JAN-2008

Inmate, Khmer Rouge Security Prison, Phnom Penh, Cambodia, 2008

The notorious Cambodian security prison that processed and eventually sent nearly 20,000 people to their deaths in the 1970s is now the Genocide Museum in Phnom Penh. A mug shot was made of every prisoner, and many of them are now on display in that museum. Among them is this photograph of an unidentified woman. It was the only one on display that has disintegrated due to faulty or hasty darkroom processing. Yet it remains on display, and I photographed it as a symbol of obliteration, the ultimate purpose of the prison, once a high school. Only three people who were imprisoned there survived. This woman did not. She, as most of the inmates at that prison, was executed in the Killing Fields, just outside the city. All of the photographs on display in the museum are of anonymous prisoners but this damaged photograph, which appears as if the subject’s brain is exploding, makes its subject even more anonymous. She becomes an unforgettably horrific symbol of the brutality inflicted by the Khmer Rouge regime between 1975 and 1979.

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Phil Douglis19-Apr-2008 03:43
You take my point well, Jude. She is now lost forever, her life taken and her photographic record destroyed. She is a metaphor for all of those unknowns who vanished forever on the killing field of Cambodia.
Jude Marion15-Apr-2008 13:51
This is such a fantastic representation of the genocide. My mind wants desperately to find one identifying feature on this womans face ... something that would make her identifiable. The only clue we have is her short hair cut. Her obliterated face represents the many people who disappeared in the Killing Fields.
Phil Douglis03-Mar-2008 19:39
You make a wonderful point here, Tim. Cruelty is an act of the human mind. So is suffering. The erosion of this image centers over the head, the province of the mind. Ultimately, the viewer responds to an image by using the mind as well. That is what expressive photography is all about -- thinking, feeling, reacting, and imagining. You make us look at such an image as this in a new light, Tim. Thank you.
Tim May03-Mar-2008 17:33
As we toured these horrific sites, I was struck by the power of ideas. All of this horror came from the distorted minds of humans. This image echos that fact. I know that the idea of destruction did not come from this woman, but the erosion in the image is coming from a mind - and caused me to remember.
Phil Douglis29-Feb-2008 20:06
Thanks, Carol, for these thoughts. This is a photograph of a damaged photograph that echoes the end of the life it represents. I made this image to express the horror of this place. I am glad it comes through to you. The longer I look into this image, the stronger hold it has upon my own imagination.
Carol E Sandgren29-Feb-2008 19:48
As usual you capture the essence of the place you are shooting... terrifying and grim to imagine just what it was like in that prison. Your montage-like photo is elegant though but violent and appalling at the same time. You do such beautiful work comminucating this! As usual.

Carol
Phil Douglis12-Feb-2008 18:44
And that is the point here, Charu. When I saw this decomposing photograph, I felt a cold shudder as well. And so I made my own image of it, and posted it here for all to see and learn from. A photograph can be seen as a substitute for reality and this one was made by her killers to methodically record her appearance before they murdered her. After her death, the image itself chemically decomposed, yet it is kept on display in the building where she was imprisoned. The photograph, which seems to be melting before our eyes, is a metaphor that echoes her own decomposition. My own record of this horrific symbolic coincidence is intended to make all of us both think about and remember the murderous work of the Khmer Rouge on a deeply personal level.
Guest 12-Feb-2008 06:25
simple image, yet so strong and moving... enough to make me shudder thinking of what must have been
Phil Douglis04-Feb-2008 20:08
Thank you, Cyndy, for seeing in this image what I felt. The damaged photo is a surrogate for the murdered human being within it.
Guest 04-Feb-2008 07:36
Dramatic interpretation, both in words and image. You could not have captured the grief...sadness...desperation...any better had you composed a picture of the structure or surrounding area. This damaged photo says it all.
Phil Douglis26-Jan-2008 19:56
A cogent metaphor, Jenene -- this image has come full circle. The disfigurement comes into full and horrific view long after this genocidal event.
JSWaters26-Jan-2008 07:10
The disintegration looks like the fracturing of something under cracking ice water...as if the portrait were held in a bath of solution then subjected to freezing temps. The development occurs now, thirty years later, when we can see the horrors visited on these people for what it clearly was...a chronicle of extermination.
Jenene
Phil Douglis19-Jan-2008 21:01
You are right -- everyone in that prison knew full well what was in store for them.
monique jansen19-Jan-2008 10:09
Well chosen symbol of life in prison - I am sure prisoners slowly but certainly felt their life disappear, as they suffered at the hands of the regime.
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