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Phil Douglis | all galleries >> Galleries >> Gallery Forty-Two: Adding meaning to scenic vistas > Vertical vista, Grand Teton National Park, Wyoming, 2006
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26-SEP-2006

Vertical vista, Grand Teton National Park, Wyoming, 2006

While most vistas are oriented horizontally, there are times where the vista is up and down instead of from side to side. This image is one of those up and downers. The famous Moulton barns at the base of the Tetons are often photographed at dawn. There were at least 25 or thirty other photographers there with us. Many choose to concentrate on the mountains and barn, but I placed my emphasis (more than half the image) on the sage, because of its color, texture, and warmth. I limit the amount of sky in the image because it was cloudless and without character. The barn is a transitional linkage for me, a man made object connecting the texture of the sage to the texture of the Tetons. My vista is about the varied textures of nature, large and small, in comparison to the texture of the newcomer – man – whose barn is comparatively new on the scene (about 120 years or so ago.) The whole scene is illuminated with early morning light – warm, and well defined in terms of the shadows it casts.

Panasonic Lumix DMC-FZ50
1/250s f/5.6 at 15.9mm iso100 full exif

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Phil Douglis03-Apr-2020 05:26
Fourteen years ago I made this image in the freezing dawn at Grand Teton. While a very common photographic subject, the relationship between the foreground grasses, the red barn, and the towering mountain range remains a very special memory for me some fourteen years after I made it. I had to rise well before dawn to make this image just as the sun hit the mountains, and I will never ever forget the thrill of watching nature itself paint this scene. I am glad you are amazed at this shot, Guest. So am I.
Guest 01-Apr-2020 07:57
Amazing
Phil Douglis24-Nov-2006 18:38
Thanks, Mo, for noting the use of layers here. This image is not only layered vertically (sage, barn, mountains, sky) but as you say, there are layers within the landscape and its colors as well, provided mainly by the interplay of light and shadow.
monique jansen24-Nov-2006 14:30
Beautifully layered image. Layers within the landscape and layers in color.
Phil Douglis08-Nov-2006 20:17
This is almost a study of sage, using a barn and the Grand Tetons as context for it. In other words, I flipped the subject/context relationship once again. Thank you, Ai Li, for noting the importance of this layer.
AL08-Nov-2006 09:22
Yes my first thought was the echoing shape of the barn roof and the mountain peak. To me, the sage created additional layer for my eyes to scroll through and appreciate the beautiful scene, color and texture even more.
Phil Douglis01-Nov-2006 18:15
The barn offers an easy transition from the rhythmic peaks of the sage to the rhythmic peaks of the mountains. The key, of course, is that the roof of the barn also comes to a peak.
JSWaters01-Nov-2006 17:05
Perfect how you've managed to echo the thrust and dips of the mountains in the foreground sage. Without that barn between them, I think I would have sped right past that.
Jenene
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