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Helen Betts | all galleries >> Rediscovering Home >> Rediscovering Home: Washington, D.C. >> 'Infinity Mirrors,' by Yayoi Kusama at the Hirshhorn Museum > 'Aftermath of Obliteration of Eternity' (1/3)
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18-MAR-2017

'Aftermath of Obliteration of Eternity' (1/3)

We were able to go back to the “Infinity Mirrors” exhibit at the Hirshhorn Museum on Saturday morning thanks to special viewing events for members of the museum. When we arrived at our appointed time (before the museum had opened to the public), there were already hundreds of people waiting in line outside, who all had managed to secure timed passes that are available online for about one minute at noon every Monday (no exaggeration, this exhibit is wildly popular, and the passes for the coming week are snapped up in less than 60 seconds).

I must say, it was so nice not to have to battle the long lines inside the exhibit before the general public was let in, plus we were allowed 30 seconds instead of the usual 20 inside the room. We returned just to see the one room we had missed last time and as expected, it was incredibly difficult to photograph -- terribly dark and with lanterns hanging down right in front of us. This time, however, we went through the line of only a few people three times to try to get something halfway decent. Not sure that we did, but we did what we could!

The Hirshhorn’s write-up on this room:

Infinity Mirrored Room—Aftermath of Obliteration of Eternity
2009
Wood, mirror, plastic, acrylic, LEDs, and aluminum
Collection of the artist
In Infinity Mirrored Room—Aftermath of Obliteration of Eternity, golden lanterns flicker, creating a shimmering pattern of light that contrasts with the seemingly endless void of the mirrored black space. For Kusama, obliteration is a reflection on the experience of death and the potential of the afterlife. The imagery in this work recalls the Japanese tradition of toro nagashi, a ceremony in which paper lanterns known as chochin float down a river to guide ancestral spirits back to their resting places on the final night of the summer obon festivals. The ceremony often commemorates the victims of the atomic bombs. Mesmerizing and intimate, Kusama’s poetic installation underscores the impermanence of life and the certitude of death.

More dots and less dots, posted earlier:

Nikon D810 ,Nikkor AF-S 24-70mm f/2.8G ED
1/125s f/2.8 at 70.0mm iso6400 full exif

other sizes: small medium original auto
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Graeme20-Mar-2017 23:06
What a magical scene.BV!
Range View 19-Mar-2017 20:26
A wonderful capture of this amazing room Helen. V
Barbara
John Reynolds LRPS19-Mar-2017 11:29
An amazing display. V.
Gill Kopy19-Mar-2017 00:28
Wow - mind blowing - the lanterns do have the appearance of floating - the silhouetted figures make a nice addition bringing it all to reality :) BV
joseantonio18-Mar-2017 20:44
amazing to see the tickets disappearing in just 60 seconds.V
janescottcumming18-Mar-2017 20:24
That's really amazing! So interesting to hear how popular this exhibit is. V
Colin Storey18-Mar-2017 19:33
Fantastic display and image of it.
Marco Valk18-Mar-2017 18:14
Stunning beauty!
exzim18-Mar-2017 17:48
Can only add well done for these images and vote
Tom Munson18-Mar-2017 17:18
This is wonderful, Helen. Great work.
Milan Vogrin18-Mar-2017 17:07
Simply superb! V
danad18-Mar-2017 16:45
Like a night sky full of stars ! Beautiful...V.
chris morton18-Mar-2017 16:32
makes an interesting abstract