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Phil Douglis | all galleries >> Galleries >> Gallery Forty-Three: When doors, arches and gates express ideas > Unnoticed prayers, Phnom Penh, Cambodia, 2008
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09-JAN-2008

Unnoticed prayers, Phnom Penh, Cambodia, 2008

She drew back the heavy glass door, broom in hand, and stared out into the busy street. The early morning light warms the scene, barely illuminating the carved Khmer goddess that stands behind glass in the doorway next to her. This shopkeeper is so used to the presence of the goddess that she does not appear to notice her praying next to her. But we do, and therein lies the incongruity of this image. Both figures look out into the street. The shopkeeper shows a bit of concern, while the goddess meditates in peace. I made this image from across a busy commercial street with my long telephoto lens. Neither the shopkeeper nor the goddess takes note of my presence.

Leica V-Lux 1
1/200s f/5.6 at 68.1mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis27-Feb-2008 19:44
Thanks, Tim, for pointing out this incongruity. I never even looked at her feet when I made this shot -- I was looking at it as you did at first -- from the face of the goddess to the face of the woman. The goddess prays while the woman looks down the street. As you say, the bare feet help make this image into a study in contrasts: formality vs informality, and spirituality vs. secularity.
Tim May27-Feb-2008 17:06
The light in this image, which seems to travel from the face of the goddess, to the face of the woman leads my eye down her leg to the fact that she is barefoot. This seems to me a wonderful incongruity. She is so formally dressed, yet is barefooted as she starts her job as shopkeeper and sweeper.
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