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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Three: Using light and color to define and contrast textures > Sand and Stone, Glen Canyon Dam, Page, Arizona, 2006
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05-FEB-2006

Sand and Stone, Glen Canyon Dam, Page, Arizona, 2006

The poet William Blake (1757-1827) opens his “Auguries of Innocence” with these words:

“To see the world in a grain of sand,
And a heaven in a wild flower,
Hold infinity in the palm of your hand,
And eternity in an hour.”

Blake is speaking of symbolic meanings that reside in details. In this image, I also speak of detail as symbol. Only my details live in the textures revealed by the angle of the light, my choice of exposure, and my close-up camera position. A heavy coating of sand covers much of a sandstone slab – yet it is the array of rhythmically repeating textured ridges of stone that draws the eye and provides a contrasting texture to the flowing sand. Heavy shadows cast by nearby rocks enclose the scene, creating a gradually expanding flow of sand that begins at upper right and moves diagonally to the lower left. This textures in this image encourages us to see what we might not ordinarily see, and think about things we might not ordinarily consider: the eroding forces of wind, weather and water upon the earth, and the residue of time itself. These textures make us see, think, and perhaps even feel the hand of nature upon the earth.

Panasonic Lumix DMC-FZ30
1/400s f/5.6 at 26.9mm iso100 full exif

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Phil Douglis04-Feb-2007 04:01
Thanks, Chris. Usually, the closer we get to our subject, the simpler it becomes. The opposite is also true -- as we draw away from our subject, the image becomes more complex and unless we take steps to achieve coherence, it can become chaotic.
Chris Sofopoulos03-Feb-2007 21:38
Sometimes a photo can tell so many things that words would need hours to describe..
So simple and so exceptional image. And all begin from light and textures!
Phil Douglis06-Sep-2006 19:24
Thanks for relating this small piece of sand to the story of Glen Canyon itself, an area once as spectacularly majestic as the nearby Grand Canyon which has, as you say, become Paradise Lost. If you see my image as its epitaph, so be it. It is the least we can do in its memory.
Iris Maybloom (irislm)06-Sep-2006 16:54
When the Bureau of Reclamation decided to "damn" the Colorado River and create Lake Powell and Page, the rising waters flooded the majesty, the beauty, and the history (both natural and human} of Glen Canyon, another heartbreaking example of "paradise lost". Your image, beautiful as it is, is quite bittersweet when viewed in the larger historical context of what was once Glen Canyon.
Phil Douglis01-Sep-2006 23:53
Glad this image has stirred your imagination to the core, Ceci. I particularly liked the thought of that large ridged creature awakening from slumber to go hunting. It sends a small chill down the spine. But then that's what some expressive images do. I'm delighted you entered this image with a wide open imagination.
Guest 01-Sep-2006 22:29
Such a lovely illustration of yin/yang, texture, mood and mystery in this photograph, Phil. As Cecilia Lim said, "so much with so little" -- a distillation, as with poetry. Sand, so heavy when confined in burlap bags for transport, is here as fluid and undulating as water, pouring with the same soft waves and indentations, having been endlessly rearranged by wind and rain. There appears to be a ridged creature from another time rising up out of this rock particulate, awakening from slumber, about to shake off the tiny grains and go out hunting. A very large creature...
Phil Douglis29-Aug-2006 17:30
Now you and Linda have me looking for faces in this picture, too. The dimple in the sand makes a good eye, for starters. Thanks, Larry, for feeding the imagination.
Guest 29-Aug-2006 13:19
Like Linda, I too am seeing human faces in the interplay between the light and shadow...not well defined in an obvious way, but just hints that stimulate the imagination. Very cool image!
Phil Douglis17-Apr-2006 07:28
Delighted to work your imagination, Linda.
Linda Willets17-Apr-2006 04:24
Quite interesting.. makes one think..my first thought was a face.. the cresent moon..
Phil Douglis08-Mar-2006 20:17
It is no accident that this gallery, and this image in particular, has drawn comments from some of my most articulate observers. Your comment adds a wonderful summary that illuminates my purposes here. It takes a mature eye to make such observations, Celia -- many people will look at an image like this and see sand. You see a symbol of change and transformation, the very nature of nature. Your words eloquently tell us why and how texture works here to define what Jen has called "The Circle of Life" itself.
Cecilia Lim08-Mar-2006 10:34
Your galleries are always so well thought out and edited Phil, and this one is no exception. You open your gallery with this amazing image that not only illustrates how side lighting defines texture, but you also use texture here to tell us the story of change and transformation that affects everything on this earth. Even the hardest materials are transformed by the natural forces of our planet into soft, fluid-like sand that flows over and into the cracks of the rocks beneath, burying them bit by bit. The hard ridges and layers of compacted rock are disappearing, now replaced by soft, fine grains of sand. Such is the power of nature that works with time to bring change to everything it touches. I love the elements of contrast that are used here too to reinforce this very power of nature - the delicate pink pastels against the harsh blacks of the shadows, the horizontal lines of the sandstone against the diagonal shaft of light and soft undulating sand around it - all help to define the ability of nature to transform things into something completely different. If there's any lesson to be learnt from this powerful image of yours is the sense of impermanence in our world. I am always in awe of how much your images express with so little. This is brilliant Phil! And a great introduction to the role of texture in photography to help express ideas and evoking feelings.
Phil Douglis20-Feb-2006 16:53
It does not surprise me that you and I thought of the same quote regarding this picture, Lisa. If I was to choose a picture to illustrate that poem, this would be a worthy choice.
Guest 20-Feb-2006 15:44
I looked at this image and immediately thought "to see the whole world in a grain of sand....". I was about to just leave that as my comment and decided to read your explanation luckily! Wonderful shot Phil, brings out a response that is strong and simple but not totally understandable.
Phil Douglis18-Feb-2006 20:27
Thanks, Azlin -- I have been quoting those lines from Blake in my workshops for years, because it illuminates the role of detail as symbol. Thank you too for sharing your own images of the desert with us. They express your love for it better than any words could.
Azlin Ahmad18-Feb-2006 09:11
Phil, I must admit I'm biased - you've quoted my favourite poem, and I love the desert, from a photography point of view as well as personally. Added with the interplay of light and texture, I really like this photo for what it is.
Phil Douglis18-Feb-2006 07:04
You read yourself into this image very well, Jen. This image has encouraged your imagination to create your own art within my image, and it is quite a beautiful story you have related. No matter how you try to disguise the fact, you are probably casting yourself as its principal players. As a young woman, feeling your way into an uncaring world, you have often played the role of the sand, taking whatever form you needed to take in order to get by. But I get the feeling, based on your growing self confidence as a photographic artist, that you are now taking on the character of the stone as well, at last able to stand your ground and anchor yourself in your immense abilities as a visual artist.

Your own image says much to me about the nature of both life and time. I like the way you see time as a river flowing by in this image, too. As for those footprints of ancient creatures, you are probably thinking of fossils, which are often uncovered in environments such as this.

All in all, this image, with its evocative textures, must have touched few personal chords tonight, which gives me a great deal of pleasure. Thank you, Jen.
Jennifer Zhou18-Feb-2006 06:37
Phil, It reminds me so much of one of my own image-http://www.pbase.com/angeleyes_zyl/image/26515089
The similarity is both of them are the studies of textures and details..While my picture is about circle of life, yours is expressing so much more. As I see it, the sand and the stone symbolize different human characters. In front of the forces of wind and weather, the sand would flow with the wind, and taking whatever forms needed. It is very flexible. But the stone would not move a bit no matter how hard the wind blows, and how bad the weather is. Some of us just like the sand, and some of us like the stone. But we get alone just fine, like here in the picture, no matter how different the sand and stones are, they share a space and a moment of peace together..

We can also study the nagative space in the picture, the area in the light is like a river of time flowing by.. It also looks like a feet of some sort of ancient creature, it happened to leave its footprint on the surface of the Earth...
Phil Douglis18-Feb-2006 01:12
You are right, Tim. This is Glen Canyon in miniature.
Tim May17-Feb-2006 22:38
In this close up - you have captured the larger landscape - the elements in the frame echo the hills and dunes that surround it.
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