photo sharing and upload picture albums photo forums search pictures popular photos photography help login
Phil Douglis | all galleries >> Galleries >> Gallery Seventeen: Memories in Metal and Stone: How monuments, sculpture, and tombs express ideas. > The Founder, San Miguel de Allende, Mexico, 2005
previous | next
27-OCT-2005

The Founder, San Miguel de Allende, Mexico, 2005

A San Franciscan friar, Juan de San Miguel, founded the town bearing his name in 1540. It became a major supply center for the surrounding area, including the silver mines at nearby Guanajuato. I wanted to photograph a statue of him in the context of both his calling and his religious order. The statue stands on the town’s main square, in front of its parish church, El Parroquia. I made this as the early morning light illuminated the church yet held the statue partially in shadow. Only the head and shoulders catch the early morning light – the rest of the friar is obscured. The curve of his shoulders echoes the curves in the design of the church itself. At the moment I shot, a pigeon was standing on his head. Normally, that would be a humorous cop out. A cliché. But this friar was a follower of the order of St. Francis, founded by a saint noted for his compassion for animals. A bird on a Franciscan’s head makes an appropriate statement. This is more than just a picture of a statue with a bird upon its head. It is an expression of a historical figure’s faith and tradition.

Panasonic Lumix DMC-FZ30
1/500s f/6.3 at 59.7mm iso80 full exif

other sizes: small medium large original auto
share
Phil Douglis27-Dec-2005 00:38
And I love your comment, Lara. When photographing statues and monuments, light and shadow can make all the difference in terms of whether the image expresses an idea or not. In this case, the early morning light abstracts the statue, and certainly expresses a sense of humility.
Lara S27-Dec-2005 00:12
Ilove how you've cast him in a shadow. Only him. and I love how that light behind him seems to shine so bright. It's like him being in a shadow makes him more humble (the fast that he's stooped over as well adds to the whole picture. I love this picture, Phil. Love it.
Phil Douglis04-Dec-2005 00:15
Thanks so much, Kal -- I get so familiar with my own images that I often take them for granted. I shouldn't of course. What I did here with the arches and the statue was instinctive. It was what drew me to the scene. I was not even sure if I thought it through -- as Henri Cartier Bresson once said, "In Photography, you don't think. You act." I acted, and only recognized the linkage between the curving arches and curving statue in retrospect. As for the bird, I am not so sure it was by chance. Birds love to perch on the round, smooth heads of bronze statues for some reason. (You can see the droppings on the head.) Across town, the pigeons were perching on the long sword of Allende. Always.
Kal Khogali03-Dec-2005 16:21
I agree Phil, but so often a chnage of angle to incorporate someting like these arches in the way you have, or even to recognise the rythmic nature that complemenst is missed by photographers. The bird is a chance encounter that adds meaning, but without it, this would still be a great image.
Phil Douglis01-Dec-2005 15:52
Thanks, Kal. This is essentially an environmental portrait of a statue, isn't it? I tried to integrate the symbols of his faith with the symbol of his patron saint.
Kal Khogali01-Dec-2005 14:39
The shape of the statue echoes the architectural arches as you note in your context and that gives this image a balance and serenity Phil. He fits in to the environment and so it becomes peaceful.
Phil Douglis12-Nov-2005 02:04
Thanks, PA, for your observations. You underscore the challenge of making art out of someone else's art. I tried to use the nature of the light and the presence of the bird to add a dimension of meaning to an already beautifully expressive work of sculpture.
PA 11-Nov-2005 21:51
Phil - At first, I was sure that the bird was part of the statue because I know the story behind St. Francis and the bird is of the same colour as the statue. I was also struck by the contrast the morning light creates between the church and the statue, enhancing the impact of both the beautiful and bright colour of the church building and the dark, old greenish colour of the statue. That dark colour also emphasizes the apparent humble stance of St. Francis who is looking somewhat down, the head slightly bowing like when someone is caring for others. There is so much kindness in his expression.
Type your message and click Add Comment
It is best to login or register first but you may post as a guest.
Enter an optional name and contact email address. Name
Name Email
help private comment