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Phil Douglis | all galleries >> Galleries >> Gallery Fifteen: Making travel portraits that define personality and character. > Double Portrait, Mercado de San Juan de Dios, San Miguel de Allende, Mexico, 2005
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02-NOV-2005

Double Portrait, Mercado de San Juan de Dios, San Miguel de Allende, Mexico, 2005

The early morning sun sharply defines the characters of this man and child resting near the entrance to this busy market on the western fringe of San Miguel. I made this picture from a long distance at a 420mm focal length. Both subjects were aware that I was making a picture, but since I was so far out of their space, they had no idea how much else I might have had in my frame, so did not seem either hostile or self conscious. The man displays a natural curiosity. The child unemotionally accepts my presence. In this black and white image, the interplay of light and shadow abstracts the portrait and takes it out of the realm of a specific travel photograph, becoming more of a universal statement about the relationships between adults and children. I posted the original color image in a travel article at http://www.worldisround.com/articles/237925/photo55.html The color version makes it look more like a travel shot, and less like a portrait.

Panasonic Lumix DMC-FZ30
1/250s f/5.6 at 88.8mm iso80 hide exif
Full EXIF Info
Date/Time02-Nov-2005 08:01:29
MakePanasonic
ModelDMC-FZ30
Flash UsedNo
Focal Length88.8 mm
Exposure Time1/250 sec
Aperturef/5.6
ISO Equivalent80
Exposure Bias-0.33
White Balance (10)
Metering Modemulti spot (3)
JPEG Quality (6)
Exposure Programprogram (2)
Focus Distance

other sizes: small medium large original auto
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Phil Douglis30-Jul-2006 19:05
Yes it does, Emi. Age differences are paramount here -- that's why the man shows a wary curiosity, while the boy simply accepts me and my camera as a fact of life.
Guest 30-Jul-2006 16:00
This speaks of the age, speak of the different reactions towards the same thing among different people.

Emi
Phil Douglis11-May-2006 03:29
Thanks, Jamie and Lorraine, for coming to my galleries. I hope you will visit often and make your voices heard here.
Guest 10-May-2006 18:57
Fantastic image amazed by your gallery
Phil Douglis24-Jan-2006 00:35
Thanks, Jen, for noticing the role of the shadowing on the man's face. It does deepen his sense of concern, underscoring the sense of responsibility he must feel for this child.
Guest 30-Dec-2005 15:29
Just amazing!
Happy new year from Jeusalem

Amihay
Jennifer Zhou29-Dec-2005 08:01
We are always trying to look for the truth in life, in everywhere we go. And the truth can never be hided in a split second, like in this picture, their expressions gives out all the secrets about them, their charactor and personality. And also it became an universal truth when you abstract it in B&W. The boy lean on the man's shoulder, as if it is the safest place in the world for him. And the look on the man's face is the one should has who is taking so many responsibilities in life.. He looks very tired.. And you use light to express that idea too----there is more shadow on the face of the man than of the boy..
Phil Douglis04-Dec-2005 00:27
A typical Vanessa comment. Four words and all very much to the point. I, too, am stunned by the contrast in expressions, pitting the apprehension of the man against the passivity of the child. I am unsettled by the edgy, unforgiving black and white abstraction. The child seems to take his protective and loving family for granted, and that is what conveys the beauty you speak of here.
Vanessa M 03-Dec-2005 20:17
Stunning. Disturbing. Absolutely beautiful.
Phil Douglis16-Nov-2005 22:57
This image continues to stir the emotions of my viewers, as I hoped it would. Ana -- I don't think he is as pissed off at me for taking his picture as you might think. I was a long, long way from him, using a very long telephoto lens (420mm) from across a busy market floor. Furthermore, my new FZ-30 has a flip out viewfinder, which allows me to compose my pictures at my waist, instead of at the eye. I was looking at my subjects in the viewfinder for only very brief moments -- the rest of the time I was looking elsewhere. All of which tells me that while he was aware of my presence, I don't think he really saw himself as the subject of my pictures. I was just too far away for that. In any event, thank you for enjoying this image. I am glad it expresses feelings to you, whatever they may be.

And thank you, too, PA, for adding your voice to these comments. I did not intend for this image to make anyone comfortable. Photojournalism (and this is photojournalism -- a story telling portrait) is not geared to that. It is geared to expressing a truth as the photojournalist sees that truth. If the image makes you want to reach out and comfort him, all the better. I prefer the black and white version to the color rendering, because it speaks of this man and boy in universal, rather than specific terms. I intend it to be more of a symbolic image when abstracted in this manner.
PA 16-Nov-2005 20:26
I see worries in this man’s expression as when people have a difficult life. Although I agree that this is a great picture, but I feel uncomfortable looking at it. And even more in black and white than in colour. The black and white creates a bigger distance or an additional wall between me and the main character and adds a certain austerity to the situation. Why I feel uncomfortable? Because I feel an urge to talk to him and see if I can brighten his day or help him in some way or just say “good morning” – yet I can’t.
Ana Carloto O'Shea16-Nov-2005 16:07
The child has indeed a sort of passive look, but the man's look is entirely different...
It looks like he's suspicious of your intentions, almost like he instinctively is about to pull the child close to him, because of the "invasion" of the camera. In fact in the next second he could be laughing or turning to the side, not caring about the fact that you were taking the photo, but this exact second that you've photographed, he doesn't look happy at all at his portrait being taken.
Maybe it's the b&w that enhances the facial features that make me think like this... I don't know, but he has that "F****** tourists always taking photos" kind of look on his face :)
Well... Too bad for him to think like that, because he could never guess that you were going to make this amazing work out of that briefest second.
I love this photo. From the light to the composition is a real pleasure to look at it.
Phil Douglis15-Nov-2005 18:06
The color picture is neither better nor worse. It is different. It tells a different story -- warm, loving, and local.
This black and white image is more universal and bit edgier.
monique jansen15-Nov-2005 15:14
I do also like it in color though
Phil Douglis14-Nov-2005 23:23
Thanks, Nial, for this comment. I do not rate or rank my pictures in comparative terms, however I would agree that this is a very strong image n terms of the human values it projects. I agree with you on the harshness -- black and white can be unforgiving. The color version is much warmer. And yes, it is unsettling, cautious, and protective. It is indeed a change of pace from what you call the genial tone of the other portraits in this gallery.
type14-Nov-2005 23:07
For me this is by far the strongest image in this gallery. I find not natural curiosity but weariness, apprehension, even protectiveness in the man's expression, while as you say, the child has a disarming passivity. The portrait seems, real, harsh even, unsettling in a way that sets it apart from the general geniality of the other photos in this gallery.
Phil Douglis13-Nov-2005 18:23
Glad to oblige, Mo.
monique jansen13-Nov-2005 07:38
Great, this one really speaks to me!
Phil Douglis12-Nov-2005 19:49
Thanks, Mo. Before I left for Mexico, you wrote and asked me to make a meaningful Mexican portrait. This was what I came up with for you.
monique jansen12-Nov-2005 14:49
Simply beautiful
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