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Phil Douglis | all galleries >> Galleries >> Gallery Fifteen: Making travel portraits that define personality and character. > A Burmese Tradition, Yangon, Myanmar, 2005
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02-FEB-2005

A Burmese Tradition, Yangon, Myanmar, 2005

The most striking feature of Burmese girls, women and children is the yellow Thanaka powder smeared on their cheeks, noses, foreheads, and even throats. It is said to tighten the pores, control oiliness, cool the skin, and act as a sun block. It is made by grinding tree bark into a paste. Pre-mixed Thanaka is also available. This woman seems to have to just rubbed it on, while other women and children use it as carefully planned decorative accents. What fascinated me the most were the incongruities present in this portrait. To non-Burmese, the makeup itself appears incongruous. She uses it to not only paint her face but also her throat, a rarity. She makes no acknowledgement whatsoever that I am making her picture. She never made eye contact with me. Her stoic expression never changed. I photographed her standing in front of a grim steel gate, no doubt used to secure a store in the city’s busy market. Yet her painted face and neck speak more loudly to us than anything else. She is Burmese!

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Phil Douglis19-Aug-2005 18:50
Thanks, Ranoux, for these words. Dignity is a human value, and if this portrait conveys a sense of dignity, it is living up to its potential for expression.
Guest 19-Aug-2005 10:09
beautifull portrait. Like a gauze filter an other world. she is inaccessible
you show her dignity
Phil Douglis30-May-2005 20:23
She would not even acknowledge my presence. She would not even nod when I smiled at her. She holds it all within her, exposing not a hint of self. She has lathered her face and neck in yellow chalk, but it is faded and thin and only intensifies her vulnerability.
Bob White30-May-2005 19:29
I cant help but think what Pain and Trauma she is hiding behind that expression
Bob
Phil Douglis30-May-2005 18:16
Thanks, Bob. Your comment has just triggered another idea -- the face expresses a stoic sense, doesn't it? It is as if she has drawn a shutter over her emotions. And right there behind her stands a shutter. I did not make that connection until just now. Thanks for the inspiration.
Bob White30-May-2005 08:22
Yes I agree I think it is the strong expression on her face that makes this photograph
Such a powerful picture ---- Bob
Phil Douglis08-Mar-2005 22:40
When making a travel portrait, I look for the combination of elements that fell into place here for me, River. Faces that speak, even when the mouth itself may be tightly closed. Incongruous elements that reflect the nature of a culture, such as the Thanaka she has smeared so boldly on her face and neck. And context that may tell us more about who they are, such as the security gate behind her. It was all here for me. The fact that she never looked at the camera, made it all work.
Guest 08-Mar-2005 06:30
Hi, Phil,

To me, this is a powerful photo, mostly because of the strong expression she has in her face. Because of the lighting, her left and right eyes have such distinguished expressions, with her nose, the shape of her lips, and the Thanaka on her face, make her expression very very strong.

It's a very expressive portrait photo. Good capture of her expression!
Phil Douglis01-Mar-2005 00:58
Those are the two ideas I am expressing here, Mo.
monique jansen28-Feb-2005 12:49
the thanaka is the incongruous part in this picture. I also think the woman shows attitude.
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