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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Two: Black and white travel photography – making less into more > Road Laborer, Luang Prabang, Laos, 2005
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22-JAN-2005

Road Laborer, Luang Prabang, Laos, 2005

She is part of a team of young girls working on a road repair gang. I photographed her while she rested, incongruously wearing a Laotian version of a LA Dodger baseball cap. She had been shoveling loads of stones. Several hours later, she was still at it. The work is hard, the pay low, but she has a job.

This image was originally a color image. You can see it reproduced in color in my travel article on my Laos trip at: http://www.worldisround.com/articles/139137/photo50.html

When comparing the two images, you will see a striking difference in meaning. The color version is more of a travel image. This black and white version is more of a journalistic or documentary photo. While she is in the shade, there are golden highlights created by the warm afternoon light coming through the trees in the color version. They are gone in this black and white rendition. This more abstract monochromatic image also downplays the emphasis on the colorful skirt she wears in the color version. She seems to be a kid at rest on a rock pile in the color photograph, while in this black and white image she becomes a symbol of child labor in a developing country. While somewhat less real in form, the picture becomes a more universal expression of a social issue when the colors are removed and only the rocks and the young worker remain.

Canon PowerShot G6
1/320s f/4.0 at 11.2mm full exif

other sizes: small medium large original auto
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Phil Douglis12-Dec-2007 04:41
Thanks, Vera, for letting me know how valuable this example has been for you. You are already a master of black and white imaging -- you do it instinctively and for all the right reasons. I am glad to provide the validation you seek. You are right about black and white photojournalism's potentially "bigger" meaning due to the universal expression it can carry. Of course there are times, particularly in travel photography, where color helps tell the story. But in an image like this, where the innocence of childhood has been drained out of that child by years of hard manual labor, black and white is the perfect medium.
Guest 12-Dec-2007 02:17
This photo, for me, along with the commentary has been a wonderful learning experience. You have explained why I so often like black and white photographs. Even when working on my "photo essay" I started to realize that many of the pictures I had, I liked better in BW but had never desaturated them. Your statement of her going from a kid to a universal expression of a social issue is bang on. I never realized why I am drawn to photo journalistic type pictures. It is because of the bigger meaning they convey. Amazing.
Vera
Phil Douglis01-Mar-2005 04:39
The color seems a bit washed out because of something worldisround.com must do to compress its images. The colors in this image are actually more saturated than they look on that site, as are the colors of all of my other images posted there, as well. The color image is a lot more pleasant looking because of the color of the skirt and the golden highlights on the rock. This black and white conversion is grim and spare. And that is the mood I was after here. It is no longer an image of childhood when changed to black and white. It has become the image of laborer.
monique jansen28-Feb-2005 18:15
This image really does benefit from taking the colors out (I thought they were pretty washed out anyway), it makes the image so much better than the original.
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