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Phil Douglis | all galleries >> Galleries >> Gallery Three: Expressing human values > Egon’s Wall, Tecate, Mexico, 2004
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19-APR-2004

Egon’s Wall, Tecate, Mexico, 2004

Accomplishment is a human value. It is hard to make a photo of an accomplishment unless you can link people to it. That’s what I was able to do with this image. I came upon a group of teenagers on lunch break just outside of their school, and was admiring a nearby wall that had been vividly transformed into abstract shapes and colors, along with many words, representing a community experience of some kind. As I began to photograph it, a student came over and told me that he had painted that wall. He even showed me his signature. He told me that his name was Egon, and that he was thrilled I had stopped to photograph it. I asked Egon to stand before his work, and tell me a bit about it as I made an environmental portrait of him. As he talked with me with me, he reached behind to feel the texture of the stone he had painted, and touched the very point where two arrows dynamically speed towards each other. At his touch, the paint becomes energy, and Egon, the creative catalyst.

Leica Digilux 2
1/500s f/8.0 at 7.9mm iso100 hide exif
Full EXIF Info
Date/Time19-Apr-2004 13:52:40
MakeLeica
ModelDIGILUX 2
Flash UsedNo
Focal Length7.9 mm
Exposure Time1/500 sec
Aperturef/8
ISO Equivalent100
Exposure Bias
White Balance (10)
Metering Modemulti spot (3)
JPEG Quality (6)
Exposure Programprogram (2)
Focus Distance

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Phil Douglis24-Aug-2005 20:02
I cherish your comment on this image, Lori. You mention pride and dignity, two very important human values, and then talk of the gesture of ownership. I was fascinated by your comment that Egon seems to share his creative energy as a painter with the creative energy I am bringing to this picture. The painting itself is full of energy, and so is he, and so was I. You felt it all. Thank you.
Lori Rosen 24-Aug-2005 12:13
It's amazing, the ability of artistic endeavors to instill in the creator pride and dignity which abounds in his gesture of touching the painting. It is as if he is owning all the energy, creative and otherwise that went into making that painting. There is also a sharing of creative energy between him, the painter and you the photographer. This is a moving portrait Phil.
Phil Douglis30-Dec-2004 05:30
I was fascinated by your comparison of Egon's feeling of pride -- an essential human value -- with the pride we feel when we make a photograph that is well received by others. I see what you are getting at here, Mikel. It makes us feel good when we are able to communicate our feelings and thoughts successfully to others. That's why Egon seems so proud. He is expressing himself visually in a unique and personal way, just as you and I try to do in our own imagery. I must have been putting a lot of myself into this image, and i know that both you and I are putting much of ourselves into reading it.
Guest 29-Dec-2004 14:30
About the photo it makes me think a bit like part of what I was searching with the photo:
http://www.pbase.com/laburu/image/36706210
Though in my pitures I also had many other different meanings and circumstances.
I wold call this as a human value 'pride' in this case is like when we do a photo and someone gets a strong impression of it. It gives a certain happiness of having transmitid a feeleng a personal way of beeng or a thought too an otherone that has comunicated to you in the same level. I am sure that Egon after this incounter, perhaps for a fiew minutes started thinking in a new graphity to express him self as for others too understand him.
Phil Douglis03-Dec-2004 21:20
And pride is a human value, Clara. It goes beyond culture and lifestyle. We all need to be proud of who we are and what we've done. It is a universal value we all share.
Guest 03-Dec-2004 20:34
A young man proud of his work. Nicely done!
Phil Douglis30-Nov-2004 21:42
Your comment is much appreciated, Filip. This wall is more than just background. It is more than context. Both Egon and his wall are the subjects of this image because he painted that wall. As you point out the high key lighting works well here because it brings out the shadow under his arm that echos the thrusts of the art itself.
Guest 22-Nov-2004 15:15
This is not a street shot...it's a "hood" shot. The wall behind the man is a perfect background. I think if it were me there shooting this scene, I would spend a day trying to capture interesting characters with such a superb background. The man himself fits this scene quite nicely...the front of his T-shirt is decorated with verious colors that match the colors of the wall behind him. The deep shadows add mood to the scene as well. Overall good work!
Phil Douglis12-Aug-2004 02:07
Whenever I ask someone to look at my camera, I make sure that the gesture is spontaneous and the environment full of rich context for meaning. You are right, Henk -- such pictures are difficult to make without coming off as a cliche. The key is the connection between subject and viewer and the value of the context to the message. In this case, posing was his idea, not mine, as was the gesture. All I did was to frame it so that the subject is off center and I waited for the hand to reach that key area between those arrows, where all the tension and energy reside, and then released the shutter.
oochappan12-Aug-2004 01:25
Very colorful grafiti and you could make the posing artist and his work as one again as he touched it with an explicit sign of his arm and hand. That makes the posing acceptable. Posed portraits where people are looking straight at the camera are often the most difficult ones to make them work.
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