These early risers enjoying a sunrise in Russia's Far East are abstracted twice because of my vantage point. I choose to shoot into the sun, which will make anything in front of me become a silhouette. I turn this couple into symbolic travelers, rather than specific individuals. I also shot them from behind, concealing their indentity once again. My rear vantage point puts you into the same situation as these subjects. You can share their experience as they watch the sun comes up on one of the world's most remote islands.