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Joao Pedro Assumpcao Bastos | profile | all galleries >> Curiosities and News >> Pictures taken by my friend Arnulf Kost, 'le berlinois' (gallery released in 2014). tree view | thumbnails | slideshow

Pictures taken by my friend Arnulf Kost, 'le berlinois' (gallery released in 2014).

Arnulf Kost, my 'brother', is a close friend in photography, electrical engineering activities and life. We met in 1995 and our photography common interest made a strong connexion. He is now retired as Full Professor at Cottbus and Berlin T.U. universities but he is still active on research and is the president of an important society on Electrical Engineering Numerical Modeling. I also work in this community and our universities set several scientific agreements. That gave us chance for working and ... doing photography together as well. In spite of living far from each other, we meet at least twice a year on conferences and/or technical visits. Always occasions to discuss photography. Arnulf is a very talented photographer, who likes pictures and equipment-techniques, as me (maybe because, as engineers, we like devices). He has an amazing collection of nice and classical cameras having a solid knowledge on this area. By our relationship I had the chance of meeting a lot of new interesting people, places and new friends and, hopefully, it is reciprocal. I could write much more about him, but for not being very long, I shoud say that I was a lucky guy by having this generous man and his familly as close friends.

In this folder I inserted photos made by Arnulf. He sent me several pictures during these almost 20 years and a made a short selection amount them. As much I had the data available, they were included in the captions.

As usual for several folders, the pictures presented here came, for the majority of them, directly from Arnulf's prints. I used a Olympus OM-D E-M1 for reproducing them; the files, when necessary, were slightly modified by software.
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Arnulf in late 1990s, at his home; Olympus OM2 Spot-Program, Zuiko 40/2, Ilford 100.
Arnulf in late 1990s, at his home; Olympus OM2 Spot-Program, Zuiko 40/2, Ilford 100.		 Torres del Payne, Chili (Mamiya 7, 80/f4, Ilford FP4)
Torres del Payne, Chili (Mamiya 7, 80/f4, Ilford FP4)		 East Berlin, circa 1997
East Berlin, circa 1997		 Flea Market, Brussels (Nikon FE2, Tamron 24/2.5)
Flea Market, Brussels (Nikon FE2, Tamron 24/2.5)
In Brussels, in a café near the flea market.
In Brussels, in a café near the flea market. 		Creta Island (Nikon FA, 55/2.8 micro, Kodachrome 25)
Creta Island (Nikon FA, 55/2.8 micro, Kodachrome 25)		 Church La Mothe-Achard, Nikon F100, Nikkor 180mm/2.8 ED with converter TL 14A
Church La Mothe-Achard, Nikon F100, Nikkor 180mm/2.8 ED with converter TL 14A		 Patagonia, Argentina (Mamiya 7, 80/f4 with Orange filter)
Patagonia, Argentina (Mamiya 7, 80/f4 with Orange filter)
Lyon Train Station, Nikon F100 with Nikkor 80-200/4.5-5.6
Lyon Train Station, Nikon F100 with Nikkor 80-200/4.5-5.6		 In Chili, Atacama area, Chili
In Chili, Atacama area, Chili		 In the Atacama area, Chili (Nikon F100, 35/f2, Kodachrome 25)
In the Atacama area, Chili (Nikon F100, 35/f2, Kodachrome 25)		 The Moon Valley, Atacama area, Chili; Mamiya 7, Ilford 100.
The Moon Valley, Atacama area, Chili; Mamiya 7, Ilford 100.
Near Chicago, USA, 2000; taken with a Nikkormat and the Nikkor Micro 55mm/2.8.
Near Chicago, USA, 2000; taken with a Nikkormat and the Nikkor Micro 55mm/2.8.		 Shinjuku, Tokyo, Japan; taken with a Nikon F4 with a Nikkor 24-85mm/2.8-4
Shinjuku, Tokyo, Japan; taken with a Nikon F4 with a Nikkor 24-85mm/2.8-4		 Creta Island, taken with a Nikon FA with a Nikkor 28mm/2 and Kodachrome 25
Creta Island, taken with a Nikon FA with a Nikkor 28mm/2 and Kodachrome 25		 Crete Island, taken with a Nikon FA, 55/2.8 micro and Kodachrome 25.
Crete Island, taken with a Nikon FA, 55/2.8 micro and Kodachrome 25.
San Pedro de Atacama, Chili; taken with a Hasselblad 501C, Planar 80mm/2.8, Velvia Fuji film (2004)
San Pedro de Atacama, Chili; taken with a Hasselblad 501C, Planar 80mm/2.8, Velvia Fuji film (2004)		 San Pedro de Atacama, Chili; taken with a Hasselblad 501C, Planar 80mm/2.8, Velvia Fuji film (2004)
San Pedro de Atacama, Chili; taken with a Hasselblad 501C, Planar 80mm/2.8, Velvia Fuji film (2004)		 Patagonia, Argentina, near the Perito Moreno Glacier, Hasselblad 501C, Sonnar 150mm/4, Velvia Fuji film.
Patagonia, Argentina, near the Perito Moreno Glacier, Hasselblad 501C, Sonnar 150mm/4, Velvia Fuji film.		 Condors at Torres del Payne, Chili; taken with a Nikon D200 with the Nikkor 18-200/3.5-5.6
Condors at Torres del Payne, Chili; taken with a Nikon D200 with the Nikkor 18-200/3.5-5.6
Torres del Payne, Chili; taken with a Hasselblad 501C and Sonnar 150/4 and Velvia Fuji film.
Torres del Payne, Chili; taken with a Hasselblad 501C and Sonnar 150/4 and Velvia Fuji film.		 Torres del Payne, Chili; taken with a Hasselblad 501C and Sonnar 250/5.6 and Velvia Fuji film.
Torres del Payne, Chili; taken with a Hasselblad 501C and Sonnar 250/5.6 and Velvia Fuji film.		 El Chalten, Argentine; taken with a Hasselblad 501C and Planar 100/3.5 and Velvia Fuji film.
El Chalten, Argentine; taken with a Hasselblad 501C and Planar 100/3.5 and Velvia Fuji film.		 Laguna Miscanti, Atacama area, Chili; Hasselblad X-Pan (2008)
Laguna Miscanti, Atacama area, Chili; Hasselblad X-Pan (2008)
The Moon Valley, Atacama area, Chili; taken with a Hasselblad X-Pan (2008).
The Moon Valley, Atacama area, Chili; taken with a Hasselblad X-Pan (2008).		 Barra da Lagoa, Florianópolis, Brazil (Nikon D200 and Nikkor 18-200).
Barra da Lagoa, Florianópolis, Brazil (Nikon D200 and Nikkor 18-200).		 Ribeirão da Ilha, Florianópolis, Brazil; taken with a Nikkormat and Nikkor 180mm/2.8 ED.
Ribeirão da Ilha, Florianópolis, Brazil; taken with a Nikkormat and Nikkor 180mm/2.8 ED.		 Arnulf took this picture of Norton (left) and I with a Leica M3 and Summicron 50mm/2.
Arnulf took this picture of Norton (left) and I with a Leica M3 and Summicron 50mm/2.
Serra do Ribeirão, Florianópolis, Brazil; taken with a Mamiya 7 and the 80/4 lens; Ilford 100.
Serra do Ribeirão, Florianópolis, Brazil; taken with a Mamiya 7 and the 80/4 lens; Ilford 100.		 Taken from the back window of my apartment; Mamiya 7 and 80mm/4; Ilford 100.
Taken from the back window of my apartment; Mamiya 7 and 80mm/4; Ilford 100.		 As the previous picture, but taken now (08-2014) by digital means (Olympus E-M1)
As the previous picture, but taken now (08-2014) by digital means (Olympus E-M1)		 Serra do Ribeirão, Florianópolis, Brazil; taken with a Mamiya 7 and the lens 80/4; Ilford 100.
Serra do Ribeirão, Florianópolis, Brazil; taken with a Mamiya 7 and the lens 80/4; Ilford 100.
A beautiful entrance of a residence in Berlin West from the begining of the 20th Century.
A beautiful entrance of a residence in Berlin West from the begining of the 20th Century.		 In the early 2000s Arnulf and his famille spent summer vacations in La Vendée, France (Mamiya 7, 80/f4).
In the early 2000s Arnulf and his famille spent summer vacations in La Vendée, France (Mamiya 7, 80/f4).		 In the early 2000s Arnulf and his famille spent summer vacations in La Vendée, France (Mamiya 7, 80/f4).
In the early 2000s Arnulf and his famille spent summer vacations in La Vendée, France (Mamiya 7, 80/f4).		 In the early 2000s Arnulf and famille spent summer vacations in La Vendée, France (Mamiya 7, 80/f4).
In the early 2000s Arnulf and famille spent summer vacations in La Vendée, France (Mamiya 7, 80/f4).
Near Bremen, Germany; it is the farm of their friends; taken with a ... Leica IIIf and the Voigtlander 15/4.5 (modern version) .
Near Bremen, Germany; it is the farm of their friends; taken with a ... Leica IIIf and the Voigtlander 15/4.5 (modern version) .		 Tokyo, Japan; taken with a Contax Rx, CZ 28-85/3.3-4 and Kodachrome 25 (2005).
Tokyo, Japan; taken with a Contax Rx, CZ 28-85/3.3-4 and Kodachrome 25 (2005).		 Near Berlin, picture taken with a Rolleiflex (with Planar 75/3.5).
Near Berlin, picture taken with a Rolleiflex (with Planar 75/3.5).		 In the country part of Santa Catarina state, near Anitápolis, Brazil; taken with a Rolleiflex (with Tessar 75/3.5).
In the country part of Santa Catarina state, near Anitápolis, Brazil; taken with a Rolleiflex (with Tessar 75/3.5).
Barra da Lagoa, Florianópolis, Brazil
Barra da Lagoa, Florianópolis, Brazil		 Torres del Payne, Chili; taken with a Hasselblad 501C and Distagon 60/3.5 and Velvia Fuji film.
Torres del Payne, Chili; taken with a Hasselblad 501C and Distagon 60/3.5 and Velvia Fuji film.		 Torres del Payne, Chili; taken with a Hasselblad 501C and Sonnar 150/4 and Velvia Fuji film.
Torres del Payne, Chili; taken with a Hasselblad 501C and Sonnar 150/4 and Velvia Fuji film.		 Patagonia, Argentina, near the Perito Moreno Glacier, Hasselblad 501C, Planar 100/3.5, Velvia Fuji film.
Patagonia, Argentina, near the Perito Moreno Glacier, Hasselblad 501C, Planar 100/3.5, Velvia Fuji film.
Near Joaquina beach, Florianópolis, Brazil
Near Joaquina beach, Florianópolis, Brazil		 Arnulf at his 70th birthday; friends offered him a fancy necklace.
Arnulf at his 70th birthday; friends offered him a fancy necklace. 		Atacama area, Chili; Nikon F100 with Nikkor 70-300ED, Kodachrome 25.
Atacama area, Chili; Nikon F100 with Nikkor 70-300ED, Kodachrome 25.		 The Moon Valley, Atacama area, Chili (Nikon F100, Kodachrome 25).
The Moon Valley, Atacama area, Chili (Nikon F100, Kodachrome 25).
Toconao, Atacama area, Chili; Hasselblad 501C, Distagon 50/4, Velvia.
Toconao, Atacama area, Chili; Hasselblad 501C, Distagon 50/4, Velvia.		 Creta island, Nikon F100, Nikkor 180/2.8 ED.
Creta island, Nikon F100, Nikkor 180/2.8 ED.		 Near Torres del Payne, Patagonia area, Chili (Nikon F100, 55/2.8 micro, Kodachrome 25).
Near Torres del Payne, Patagonia area, Chili (Nikon F100, 55/2.8 micro, Kodachrome 25).		 Near Angelina, about 70 Kms far from Florianópolis, Brazil; Nikkormat and Tamron 35-105/2.8.
Near Angelina, about 70 Kms far from Florianópolis, Brazil; Nikkormat and Tamron 35-105/2.8.
Near Porto Natales, Chili (Mamiya 7 80/4).
Near Porto Natales, Chili (Mamiya 7 80/4).
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