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Phil Douglis | all galleries >> Galleries >> Gallery Fifteen: Making travel portraits that define personality and character. > Drenched in the Rose Garden, Portland, Oregon, 2006
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13-JUN-2006

Drenched in the Rose Garden, Portland, Oregon, 2006

While photographing roses in Portland's Rose Garden, I heard the shrill wail of a young voice a good distance away. This child had fallen into a fountain. After a few moments, the shrieks stopped and the tears dried. On my way out of the garden I met her and her mother. She was still soaked. I asked her if she would let me make a picture, and she cautiously agreed. It’s the incongruity of the hair, the anxious expression, and the close up, high vantage point that makes it work. Childhood means living by trial and error. She made an error and this portrait is evidence of her experience.

Panasonic Lumix DMC-FZ30
1/100s f/5.0 at 28.2mm iso200 full exif

other sizes: small medium large original auto
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Phil Douglis12-Oct-2006 17:40
Thanks, Chris, for this important comment. You are right. Expression is a basic characteristic of expressive photography. I addess expression under my 'Human Values" principle. Emotions are an outpouring of a value that we all understand and appreciate. In this case, her expression is all about anxiety. Which is both an emotion and a human value. It is no accident that we use the word "expression" to describe the appearance of an emotional response on the face or in body language. And I use the word "expressive" to describe photography that communicates ideas and feelings.
Chris Sofopoulos12-Oct-2006 15:37
I absolutely agree with you Phil.
I love her anxious look. Isn't it expression one of the basic characteristics in photography? I love how people look and show their emotions and it is fantastic when you manage to capture that exact moment, their look, their expression.
Phil Douglis01-Jul-2006 19:11
Thanks, Angela, for the kind comment. The kid is vulnerable, and a high vantage point always makes a subject appear subordinate. The expression and soaked appearance are important, but as Jenene saiid, the high vantage that really helped me accomplish what I set out to do here.
Guest 01-Jul-2006 05:44
Really beautiful. I think you accomplished what you set out to do with this one.
Phil Douglis30-Jun-2006 17:36
You are right, Emi -- meeting a new thing is part of the message of this portrait. There is confusion and uncertainty in her eyes. Those are human values. And effective travel portraits will always express human values.
Guest 30-Jun-2006 17:22
I can understand you guys' feeling about the reassurance. But she gives another message to me from her gesture and facial expression.

If I wasn't told that she had that experience before she had her picture taken, and even after I heard about her story, I still get the same message. Yes, she made an error, a "remarkable" one to her indeed. So now she learned a lesson - to be more alert. Phil was and still actually is a stranger to her, a new "thing" in her little world, just like the fountain she "met" a while ago. She "met" a new thing, a fountain, and she made a mistake, as a result she was soaked. Before she got dried, she met Phil, a stranger, another new thing in her life just right after the accident. Therefore, she learned to be more alert to new encounters. Her eyes look like she was trying to figure out if it was ok for her to have her picture taken by Phil even she said "ok" to Phil and "allow" him to take her picture, yet, she was still confused about if it was really ok to have her picture taken .

Interesting.

Emi
Phil Douglis19-Jun-2006 19:16
Thanks, Jenene, for this comment. I like the way you have linked my high vantage point to her vulnerability as a child and to the reassurance those young eyes seek from us.
JSWaters19-Jun-2006 18:14
Her expression and your vantage point say it all. By towering above her, you signify her climb through childhood by trial and error. She looks at you with eyes that seek reassurance that all these 'mistakes' will your little secret.
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