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Phil Douglis | all galleries >> Galleries >> Gallery Thirty Four: Photographing the tourist in all of us > Vendor at work, Li River, Guilin, China, 2006
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05-APR-2006

Vendor at work, Li River, Guilin, China, 2006

These Li riverboat passengers are eating lunch and drinking beer while a young souvenir vendor, rising on the other side of their window, tries to entice interest in a trinket. But they pay no heed -- the Buddha on their lunch table suggests that they may have already exhausted their souvenir budget. There are several fascinating aspects to this image. How did this incongruous vendor magically appear outside the window of a moving riverboat? These daring young men glide into the river on narrow rafts, attach them to the sides of the moving boat just below a window, and proceed to hawk their wares silently. If tourists want to buy, they need just open the window. This image links two favorite tourist pastimes – eating and shopping. These tourists can, if they so choose, do both at the same time. But they aren’t buying anything, at least at this moment. We view a moment in suspended time that postpones such decisions. Lunch, after all, is at hand.

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Phil Douglis27-Apr-2006 15:40
Never give up, Jen. Think positively. Instead of telling yourself there is nothing to shoot, ask yourself what you can shoot. Thanks for learning this lesson.
Jennifer Zhou27-Apr-2006 14:17
One think I learned about photography is you have to be alert and ready for something really great that will happen in any minute. Sometimes, I do complain about flat light or miserable weather, so I often give up looking assuming that there is no picture, but I am wrong. As you said "all we can do is keep an open mind and take advantage of anything that happens." I will remember that! Thanks Phil!
Phil Douglis26-Apr-2006 17:43
Thanks, Jen, for your incisive comment. Yes, I was having lunch just across the aisle from this table. I did not eat much because I was too busy focusing on what was going on here. I took many photos of this vendor trying to make a sale, and this was the one where everything came together for me. And yes, I was aware of the role of the Buddha statue here, as well as the interaction of the layers (two green bottles, two men, the Buddha, the vendor, and the green mountains beyond that link the outside world to this interior world). This was one of my most successful images of the entire trip. And it came on a miserable day for photography. What should have been a spectacular day for mountain landscapes turned into a superb opportunity for a decisive moment image. We never know what will come our way in photography. All we can do is keep an open mind and take advantage of anything that happens.
Jennifer Zhou26-Apr-2006 09:46
Another decisive moment, everything falls into place for you in this split second. I am assume you were in this dining room having lunch as well? There are some intensive interactions here going on in the picture, two men pay no attention but their food, the vendor is only focusing on the men who maybe his potential buyers. And you, the photographer is concentrating on capturing this very moment. But I find the purpose of the presence of the Buddha. Really, he is the one seeing it all here.

I also love how everything echoes everything in the picture, the two bottles echo the two men, making the vendor looks like an intruder, and the vendor echoes the Buddha just like Tim said, and the mountains pick up the color of beer bottles, making a connection between inside and outside world.. Phil, I just LOVE everything about this picture! I am glad you took a moment at your lunch taking this wonderful photograph Phil!
Phil Douglis19-Apr-2006 00:34
You are right -- the vendor seems to be as meditative in his way as the Buddha is in its way. He certainly can't sell by talking. So he quietly gestures through the tightly closed window. Even if he could speak they probably would not understand him. Nor would they care too -- they are obviously otherwise occupied.
Tim May18-Apr-2006 20:44
I am pleased with the way the vendor echoes the Buddha - There is a "zenness" in his stance - offering to opportunity to take home a remembrance of their time on the river- yet they are ignoring it all, even the beautiful scenery - to have lunch.
Phil Douglis18-Apr-2006 00:04
Expressive images do not need to have a profound meaning, Xin. All they need to do is to trigger the imagination of the viewer, and that is exactly what this image has done for you. You let the image tells its story to you in its own way, and to your own satisfaction. You are right -- photography is speechless communication. An expressive picture can indeed, as they say, worth a thousand words.
Sheena Xin Liu17-Apr-2006 20:00
Three person consists of a story. I can almost visualize the scene and conversation if any within this well composed frame. It is just like one episode of a movie, and I can’t help thinking what’s the story before and after. Again, I may be incapable of imposing any profound meaning of this frame, but I read great humanity via their speechless communication, and language should not be a barrier in most situations. Is photography a kind of speechless communication?
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