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Phil Douglis | all galleries >> Galleries >> Gallery Thirty: When walls speak and we listen > Franciscan Cloister, Dubrovnik, Croatia, 2005
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12-SEP-2005

Franciscan Cloister, Dubrovnik, Croatia, 2005

The fantastical sculpted heads that look down on us from the columns of this 14th century Franciscan Monastery cloister express the essence of the medieval times in which they were created. While columns are not technically walls, their function is the same. They hold up a roof. These columns speak to us just as vividly as any wall could. This is fine art. At the time they were created, a sculptor wanted the “walls” of the cloister to speak to us. Seven hundred years later, they are still doing just that. To make them speak to us from within the frame of a photograph, I shot these heads through the palm fronds that fill the center of the cloister, which helps to animate them by comparing them to a living thing and adds the illusion of depth to the image. By stressing the evocative play of light and shadow on their faces, and the musty ancient colors, I try to make my viewers listen to what this long-dead sculptor is expressing to us.

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Phil Douglis11-Nov-2005 05:13
Thanks, PA -- the people of Middle Ages did not see, as you say, deformity and mental illness in the same way that we do. I think these faces are supposed to symbolize emotional states, but not necessarily abnormal ones.
Perhaps they simply evoking approval, disapproval, ferocity, etc?
PA 01-Nov-2005 02:04
It is interesting to see that the women seem the only really sane people in this picture. The two men (or one man/gargoyle and one animal/gargoyle behind the palms) seem to have some physical deformities or mental illness. In the Middle Ages, mental illness and physical deformities had a very different meaning from what they have today.
P.S. The colours in the picture are sublime.
Phil Douglis21-Oct-2005 20:29
Thanks, Ana. That's why I included the palm fronds in this image. I use the word "animation" in my caption to express the feeling of vitality that this living plant brings to the stone faces via contrast. The illusion of depth that the palm frond creates is what also creates the sense of mystery you mention -- we are peering over it, through it, and yes, we have truly discovered what lies beyond it. What makes this image so special is that these faces are survivors. They survived earthquakes and wars. They are original medieval sculptures, expressing the nature of those long ago times to us. And yes, the light was very special -- it was an overcast morning in Dubrovnik, and this cloister had a glow to it that reminded me of an old photographic studio under a skylight.
Ana Carloto O'Shea21-Oct-2005 17:29
The inclusion of the palm fronds was indeed very interesting, I don't know if they animate the picture or not, but to me they really add mystery to photo and help strenghtening the feeling of looking at some lost temple that has been hidden from human sight for centuries...
The sculpted figures are amazing and each one of them show a different emotion... from the concerned face that stands in the darker corner to the shocked gargoyle like one that seems to have been blinded by the light and is gasping in horror... The particular positioning of light and shadows in the composition really highlights these subtle details and leaves its mark in the photo...
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