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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Three: Stirring emotions through atmosphere and mood. > On the Mekong Ferry, Champasak Province, Laos, 2005
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28-JAN-2005

On the Mekong Ferry, Champasak Province, Laos, 2005

Evening light brings out the geometry of the traditional hats worn by Laotian field workers and farmers. These young women were aboard one of the ferry rafts that bridge the Mekong in this area -- known as the 4,000 Islands. I chose to shoot them from a position that abstracts detail and stresses shape and form, creating more of a symbolic image than a descriptive one. As such, this image expresses a mood that can only be described as timeless. These women are maintaining a tradition that goes back hundreds of years. They work the land and they sell its bounty. They stand as still as cultural icons in the warm evening light, wearing hats that not only shelter them from the merciless sun but also symbolize Southeast Asia’s agricultural tradition. They may not know it, but they honor time. For that is what tradition means.

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Phil Douglis19-Apr-2007 17:46
Thanks, Regi, for seeing how the light, color, and structure of this image move the imagination. The composition of this image creates tensions with negative space that transform static figures into living cultural symbols.
regi olbrechts19-Apr-2007 15:03
Very well composed Phil.
The light and the subtle tones support the subject magnificently.
Big VOTE!! ;-)
Phil Douglis18-May-2006 06:18
Thanks, Jenene, for coming down on my side of the equation here. Alister is a dear friend, and he loves to challenge my thinking at every turn because that is how he learns. He is just as amusing in person!
JSWaters18-May-2006 05:46
I'm amused by Alister's comments about compostion and you not leaving negative space to the front of these two girls. Forgive me please, because I do not yet possess the skills of either of you, but these two workers (your term Phil) do not ask for space to ask questions. They only ask to be given the opportunity to work - a way out of oppression for them.
Guest 02-Oct-2005 14:38
loved the light here. shadowy faces give it a broader effect. congratulations
Phil Douglis09-Apr-2005 06:00
Thanks, Alister. I am always delighted to give you the reasons why I make my pictures as I do. It gives me a chance to do a bit of teaching along the way.
alibenn09-Apr-2005 04:45
Phil,

You know my comment wasn't designed as a critisism and I like the tension. As you commented on one of my images, accomplished photographers do things for a reason. I knew you had a reason, I just wanted to hear it!!!
Phil Douglis08-Apr-2005 18:59
As you know, Alister, I frame for good reasons. I, too, would have loved to extend the negative space at left, but it was not there -- there was, as I recall, another person's back just beyond the frame, so I moved in and took him out. I know there must be ways in Photoshop to extend the negative space, but they are beyond my abilities and knowledge at this time. So we will have to accept the moment I found here in light, time, and space. If a tight crop is oppressive to you, so be it. For me, there is a spot of tension between the hat and the edge that create energy, and that energy is a positive asset in my view.
alibenn07-Apr-2005 10:32
Man, I've stared at this image for long enough!!! You and I have had a few composition releted conversations, and I feel another coming on!! I like the idea very much, the abstraction and geometry work very well for you here, but I find the framing a little odd. I don't mind the tightness on on top and the right, it produces a solid line for their backs, and is supportive, it's the front that bothers me. I would like this way way more if there was some negative space at the front, something to ask some questions as to what they are looking at, or into. Even if the space is a void, I feel it would lighten the mood of this image considerably, giving hope and enlightenment rather than, as I see it here, a little oppressive.
Now, surely there will be good reasons for your choice of framing and comp, so let's hear them ;)
Phil Douglis02-Mar-2005 23:30
The mood here is indeed created by abstraction -- it is my vantage point in relationship to the subject that takes advantage of the interplay of light and shadow here.
monique jansen02-Mar-2005 11:46
because you abstracted the faces in the shadow, this image becomes all the more poignant.
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