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Phil Douglis | all galleries >> Galleries >> Gallery Ninety-Six: From the Persian Gulf to the Andaman Sea > Crossing Dubai Creek, Dubai, United Arab Emirates, 2016
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30-NOV-2016

Crossing Dubai Creek, Dubai, United Arab Emirates, 2016

Water taxis crowd this creek at rush hour. Commuters leave their 21st century office suites to sit on wooden benches running down the center of a rickety craft that was probably designed in the 19th century. The creek has few bridges, making these taxis the quickest way to cross it. Clouds of seagulls engulf the taxis, looking for nourishment churned to the water’s surface by the taxi’s engine. I made this frenetic image from the bow of a water taxi, and photographed another just in front of us while using a long telephoto lens.

FujiFilm X-T1
1/160s f/5.2 at 80.0mm iso1000 full exif

other sizes: small medium large original auto
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Phil Douglis13-Mar-2017 19:20
Thanks, Mary Green, for enjoying this photograph. Yes, the relationship between the flock of birds and the flock of commuters is an incongruous one. The primitive boat and its occupants seem to be momentarily at the mercy of nature, while the safety of the huge man made city awaits them in the distance. It is a moment rich in human values -- the people seem out of their element, and we wonder about their safety or even survival. Meanwhile, the birds are thinking only of the food being churned up by the boat's motor.
Mary Green Brush 12-Mar-2017 20:47
Great example of one of Phil Douglis's six elements of visual communications (or is it five?): incongruity! Hauntingly beautiful and captured as no one else could.
Phil Douglis22-Feb-2017 05:36
Beautifully sung, Tim.
Tim May08-Feb-2017 00:02
For me this image feels like s song. There is such movement in it - the dance of life.
Phil Douglis05-Feb-2017 22:00
Thanks for returning to this image once again, Marisa, to leave this comment. This photograph expresses a number of ideas, and you discuss another one of them here. As I noted in both my own commentary below the photograph, and in my response below to Iris's comment, there is a symbiotic relationship between man and the natural world. In this case, the motors of man are making mealtime easier for the gulls by churning up organisms from the bottom of the creek. I am sure that even before there were motors, men have been fishing in this creek, and have often left gutted carcasses along the shore for the gulls to devour and thus keep the creek clean. As you so beautifully say, man and nature have managed to integrate over the years, and benefit from each other's presence.
Marisa Taddia 05-Feb-2017 21:15
I think that seagulls have stayed with the man in this place that seems inhospitable for centuries, because they have also managed to integrate and take advantage of the coast's own nature with human development. And as seen here, they have found their great benefit!
Phil Douglis05-Feb-2017 03:55
Thanks, Iris, for remarking on the contrasts of past and present here -- the primitive water taxi, the timeless presence of nature itself (water and birds), playing against the concept of the modern metropolis and those who work inside of it suddenly finding themselves at the mercy of nature. I was fascinated by those gulls as well -- they are always present over shallow water when micro organisms are churned up in the wake of a ship's motor. It's always a free lunch.
Iris Maybloom (irislm)05-Feb-2017 00:46
I, too, am drawn to the contrasts in this image. Surrounded by modernism and opulence, this water taxi speaks of tradition, continuity and the poignant passage of time. For me, the birds, in this photo, link past and present because whether it's the 19th Century or the 21st Century, their raison d'etre is constant. Wonderful image, Phil.
Phil Douglis04-Feb-2017 23:57
What a beautiful comment, Marisa. You are correct -- this image is rich in its contrast of "opposites" and the many contradictions it expresses. As I made it, I was thinking primarily about the many incongruities I was seeing in the frame. You recount them here so eloquently and substantively. Your narrative very much echoes the sights and sounds that I found myself engulfed in as I crossed the creek just behind that other water taxi. Your final sentence moves the image still further along -- you speak of Dubai as a place of "integrating differences" and also a city that both cherishes its history yet also celebrates the current accomplishments evident in this image. I wonder what those hungry seagulls would have to say about that! Thank you so much for these thoughts, Marisa.
Marisa Taddia 04-Feb-2017 20:52
You know what I'm going to write, Phil. I love this one! It can go directly to Opposites and Contradictions! But now, I can add a new level to our long discussion (maybe it's because I'm getting older!): Integration. My eye travels back and forth, from that continuous row of modern buildings to the foreground of a small old boat, crowded with people. The contrast is immediate. But having managed to photograph this rowdy group of seagulls, you add a dynamic dimension to the image. Then everything is set in motion. I hear the sound of the water, the cries of the birds, the noise of the boats when sailing, the voices of people and the wind hits my face ... In a second I am transported to the small boat that goes behind, watching everything that surrounds me. And everything is integrated into the here and now, tradition and modernity, humans and nature represented in this case by birds (my beloved birds). The history of humanity is what ultimately makes us who we are. And our ability to integrate differences, learning to live with the best achievements over the centuries, is what transforms Dubai into a "rich" place (not for opulence, but for diversity).
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