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Phil Douglis | all galleries >> Galleries >> Gallery Fifteen: Making travel portraits that define personality and character. > Orangutan, The Phoenix Zoo, Phoenix, Arizona, 2010
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18-MAR-2010

Orangutan, The Phoenix Zoo, Phoenix, Arizona, 2010

Zoos can offer us ample subject matter for expressive images. It is important, however, to make a clear distinction between zoo photography and wildlife photography. When we make pictures of
animals in the wild, we can tell the story of nature itself. When we make pictures of animals in a zoo, we are photographing captive animals that are utterly dependent on man for survival. With this portrait of a female orangutan, I try to make that distinction by including the thick ropes and steel bar that provide the basis for her exercise. In nature, she would be swinging from branches and vines, but in the zoo, man made materials replace them. She looks out at us with an expression that is open to interpretation – I see it, along with her relaxed hand resting on the coiled rope, as symbolic of resignation. She seems to have adapted to her unnatural life, and lives it as best she can.

(Note: Some photographers might have photographed her without any man made materials showing, implying that she could be living in the wild. As far as I am concerned, to publish or display such an image masquerading as wildlife photo would be unethical, unless it was clearly stated in the caption that the animal was photographed under captive circumstances in a zoo or game farm.)

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Follow-up note, March 24, 2010: The Arizona Republic has just published a feature story on this very animal. Her name is Duchess, and on March 27. 2010, she will celebrate her 50th birthday. She is the longest-living Bornean orangutan in North America. Her keepers will give her a cake to mark the event, and will break ground for a new $4 million home for the zoo's orangutans on the same day. One of her keepers told the newspaper that Duchess is "streetwise and intelligent. You can't fool her in any way." Bornean oranguatans in the wild don't live past 48. Duchess has a few more years, according to her keepers. She was born in the wild, and arrived at the Phoenix Zoo at age 2 in 1962, just before the zoo opened to the public. She is one of its oldest residents. According to a keeper, Duchess has an attitude that is kind of like "I've been here a long time, and I'm the queen and that's the way it goes." Duchess is known as the "Founder of the zoo's Bornean orangutan Species Survival Plan." She currently has four living children, six grandchildren, and one great granddaughter.

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Phil Douglis10-May-2010 15:33
Thanks, Ken. Good to hear from you again, and glad you feel the spirit of this photograph. The more I look at her, the more I feel that wisdom.
Ken McColl10-May-2010 08:21
I somehow get the feeling that this magnioficent animal knows so much more than we do..superb shot Phil.
KMc
Phil Douglis05-May-2010 17:24
Thanks, Cheryl -- it is an emotional picture. I think it is subtlety of the emotion that gets to you here. Quite poignant.
Cheryl Klym-Edwards05-May-2010 01:39
Wonderful capture. Look at that incredible emotion in her face. I love it! V!
Phil Douglis14-Apr-2010 18:34
Thanks, N. Williamson, for your appreciation of this image.
M Williamson Lebon13-Apr-2010 21:52
Excellent!! V
Phil Douglis01-Apr-2010 17:38
We always read photographs differently when fresh context is added, Jenene. This orangutan has been pampered for nearly 50 years at this zoo, and most likely has been able to live as long as she has because of it. Duchess has obviously has bonded with her keepers over the years, and surrounded by her extended family, she seems to accept her captivity with equanimity.
JSWaters31-Mar-2010 18:55
Considering her longevity, Duchess has adapted well to her circumstances. The added context makes the image less uncomfortable for me, knowing that she could have no recollection of a life in the wild. She is obviously well cared for and seems to have the respect and affection of her human 'family'. She does wear the regal look of a queen - no tiara needed!
Jenene
Phil Douglis27-Mar-2010 19:29
Good point, Kathy -- most likely, March 27th was selected by the zoom as a convenient celebration date.
Kathy Khuner27-Mar-2010 17:41
The article said they were "celebrating" her birthday on March 27, 2010, not that that she was born on that date.
Phil Douglis24-Mar-2010 22:34
It is possible that the zoo acquired Duchess from people in Borneo who made a living at selling animals to zoos, and closely observed them in the wild. Perhaps they might have observed its mother giving birth, and captured young Duchess two years later? But it is a good question, Rose. The whole idea of a birthday celebration is, of course, public relations, designed to mask the fact that she has been held captive at the zoo for the last 48 years. As for that $4 million cage vs freedom question, we know how we would respond, but as you imply, for Duchess, the point is moot.
sunlightpix24-Mar-2010 20:26
If Duchess was born in the wild, how did her keepers come up with a birth date of March 27th? If we could ask Duchess which she would prefer, a $4 million dollar cage, or life in wild Borneo, what would she choose? Of course the question is moot; after 48 years of captivity Duchess is incapable of surviving in an open jungle. Duchess is cage conditioned, kept on display in an exhibit.
Phil Douglis24-Mar-2010 19:44
Thanks, Kathy, for this comment. By linking the shape and texture of the fingers to the rope itself, we can feel a sense of acceptance of her captivity, like it or not. Interestingly enough, the local newspaper ran a feature story on this very animal today. I have summarized it below my caption, and when we absorb that additional context, we can better understand why she has perhaps come to be at peace with her unnatural life.
Kathy Khuner24-Mar-2010 07:29
I see the photo as a comment on the relationship between the orangutan and her captivity. She rests her chin on her arm, which is draped over the rope - an interesting and relaxed stacking. The first thing that struck me was the relationship between her fingers and the rope - the similarity between the textures and the repetition of the curves. She looks quite relaxed with her situation. She is very much at home with the rope. However, I think she should get a new hair stylist.
Phil Douglis23-Mar-2010 21:44
Hi, Jenene -- it's good to hear from you, too. I am glad to hear that you saw this picture exactly as I intended to make it. I noted in my caption that this orangutan seems to have adapted to its unnatural life. By including the rope, I am trying to communicate two points: first, the rope is manmade, which tells us that this is a zoo picture, not one made in the wild. Secondly, the rope, while substituting for the vines and branches of the natural world, does indeed symbolize captivity. And that is what is making you uncomfortable. That's precisely how I felt, as well. Thanks for your insightful comment, Jeanne. And for all those positive thoughts you are sending my way. I am fully recovered from my surgery and welcome the change to be back behind a camera again.
Apostolos Tikopoulos23-Mar-2010 18:56
Terrific portrait work. V.
JSWaters23-Mar-2010 01:56
There is such a wonderful sense of connection with this animal through her direct gaze. It's easy to attribute human values such as wisdom, intelligence, complacency when she poses so non threateningly. I agree with your position about portraying captive animals as if they were roaming free, and this orangutan would make a model posterchild for zoo publicity, but I get more and more uncomfortable the longer I look at her. I'm thinking it's the inclusion of the man made environment that's doing it. When I see rope I think of tying things down - and isn't that essentially going on here?
So glad you're back. I've been sending positive thoughts your way.
Jenene
Phil Douglis22-Mar-2010 16:58
As always, your comment offers much food for thought, Celia. Intelligence is a human value, to be sure, yet it can just as easily be applied to other creatures, such as this orangutan. We bring our own context to bear on such images, and you have done a brilliant job here in doing just that. I read your words with awe -- they make me realize that a portrait can not only define the character of a subject, but also it's fate as well.
Phil Douglis22-Mar-2010 16:50
Welcome to my galleries, Lisa. I am delighted this image has touched you, and hope that you will learn from it as well. Thanks.
Phil Douglis22-Mar-2010 16:48
Thanks, Vera, for noting the human qualities in the expression. The image draws a smile from you but it also could be painful to look at -- I made this image, as well as the shot of the elephant athttp://www.pbase.com/pnd1/image/122835243 to show how man has removed these animals from nature and made them dependent as captive specimens.
Cecilia Lim21-Mar-2010 16:59
Wow! What a stunning animal portrait! Orangutans in captivity are often orphans and zoos like this one give her a second lease on life. Her ease and attachment to her surroundings have shown how well she has adapted to its man-made home. Aside from her body language, what's particularly stirring is her expressive eyes. We humans are always under the assumption that we are the most intelligent beings on earth, but her knowing look seem to suggest otherwise. Her eyes seem to speak of the wisdom and compassion that have often alluded many of us "intelligent" beings. The eternal smile on her face exudes a calm that is almost incomprehensible considering the atrocities we have done to her kind, with the killings and the rape of her rainforest home. Whether it is resignation or forgiveness, she seems to be at peace with her life and care-givers. Thank you for sharing this wonderful and stirring portrait!
lisamidi21-Mar-2010 16:42
Incredible expression of wisdom and soul in theses eyes...you captured it so well! This portrait keeps on touching me the longer I watch it...making me think about a lot about the comments and your note I read here... Great photography. bv
Guest 20-Mar-2010 23:38
How could this not put a smile on your face. When I look at this it makes me think of how closely linked we are to them. So human in the expression. We all know someone who looks like this.
Phil Douglis20-Mar-2010 18:46
Photography is all about context, Iris -- by linking the orangutan's soulful expression to my recent illness you have created an entirely different meaning for this image. (By the way, there's nothing like a little brain surgery to sharpen the eye!) Thanks for the good thoughts.
Phil Douglis20-Mar-2010 18:46
Thanks, Tim -- the eyes certainly do speak. As for that shade of red, it is particularly vivid at mid-day when the sun fully illuminates it.
Phil Douglis20-Mar-2010 18:44
Photography is all about context, Iris -- by linking the orangutan's soulful expression to my recent illness you have created an entirely different meaning for this image. (By the way, there's nothing like a little brain surgery to sharpen the eye!) Thanks for the good thoughts.
Tim May19-Mar-2010 22:07
I am attracted to two things here. One is the eyes - they seem so knowing and understanding - and the second is the hair on the top of the head. It is so wig-like - I don't think Lady Clairol had a shade called "Orangutang Red" but maybe they should.
Iris Maybloom (irislm)19-Mar-2010 21:23
What a soulful expression! This is certainly a look of love saying "I missed you, Phil, and am so pleased you're back with camera in hand." What a special portrait!
Phil Douglis19-Mar-2010 21:12
Thanks, Bill -- the expression is of the essence here. The rest is context for it.
Phil Douglis19-Mar-2010 21:08
Thanks for the reference to the film "Plant of the Apes," Rose. I think the apes in that film were closer to chimpanzees than orangutans, but I can see why Dr. Zaius comes to mind. (http://en.wikipedia.org/wiki/Dr_Zaius )
Phil Douglis19-Mar-2010 21:05
Thanks, Alister, for noting the quality of the light here. This image was made at 11:00 am, when the sun is high in the sky, making photography more difficult. Yet in this case, the high key nature of the light and the concurrent play of shadow, seems to reveal character very well. You hit the nail on the head with your comment about its melancholy nature. I have seen orangutans living uncaged, yet with man's support, in an orangutan rehabilitation area in Borneo -- they are encouraged to live naturally, but when famine or disease threaten them, they are fed or treated accordingly. They have come to respect man, and man respects them. This specimen, however, is just that -- a showpiece, valuable as an educational tool, and for scientific study, but ultimately robbed of the essence of life -- its freedom.
Phil Douglis19-Mar-2010 21:03
Thanks, Carol, for responding to my note on the ethics of zoo photography. It has always been a sore point with me when photographers publish images that, as you say, lie. As for the expression on the face of this animal, it seems to project a human value such as complacency with a touch of wit lurking within.
bill friedlander19-Mar-2010 20:24
Love that expression. Super capture and beautiful light.V
sunlightpix19-Mar-2010 06:23
Contemplating Dr. Zaius...
Available Light Images19-Mar-2010 05:10
Ha, such super light, complimenting the tones beautifully. A somewhat melancholy image too, really asking us questions about this animal living its life in an unnatural, yet safe environment. If only they could live on Borneo as they always have done unmolested.. Interesting to note that both your images sow a very tangible aspect of humanity and humility in them, perhaps a by-product of your close call?
Carol E Sandgren19-Mar-2010 02:24
I completely agree with your thought as to why photographers would tend to eliminate any manmade elements of a zoo picture. I find myself doing it too sometimes but... you are right. It is a lie. And besides, the expression of this remarkable animal is, to me, the key to the whole image.... so resigned, relaxed, complacent, allowing cameras to capture her picture. This really does tell the story. The face is so much like a human face as far as the expression, so similar to an expression one would catch on a human in a candid portrait. I see you haven't lost your touch after all this time. We are so happy for your recovery and are anxious to see even more images when you are up to it.
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