Portrait of an F4s |
F4s painted with light |
SD-10 painted with light |
Lightpainted backside of an F4 |
How "crop-factors" affect reproduction ratio |
Full frame shot for reference |
D1H shot for reference |
SD-10 shot for reference |
Nikkor AF 200/4.0 vs AFn 180/2.8 + Canon 500D (100% crops) |
Manual lens settings on D2 bodies |
85mm (AIS 85/1.4) and defocussed areas compared to Sigma 70/2.8 |
70mm (Sigma 70/2.8) and defocussed areas compared to Nikkor Ais 85/1.4 |
Ais 85/1.4 and defocussed areas |
Leica 90/2.8 and defocussed areas |
Ais 200-400/4.0 and defocussed areas |
Ais 200-400/4.0 and defocussed areas |
Sigma 15mm fisheye CA samples |
Guessing game - downsampled full-frame |
Guessing game - crops |
Crop selection |
TMax400 Test frame (downsampled) |
100% crop outtakes |
Velvia 100 Test frame (downsampled) |
100% crop outtakes |
Reala 100 Test Frame |
100 % crops with and without ICE |
Velvia test frame |
100% crop outtake |
100% crop outtakes |
Sequence No.1 |
Wasted frame |
100% crop Outtake |
Sigma 120-300/2.8 (100% crop, @ f/2.8) |
Moon |
Nutella |
Top view |
Side view |
Constant f/3.5 push-pull zooms => 50-135mm and 28-50mm |
Size comparison => AFD 50/1.8 and AIs 28-50/3.5 |
AIs zoom glory |
Composition of flowers |
Vivitar Series 1 105/2.5 and defocussed areas |
Vivitar Series 1 105/2.5 and defocussed areas |
Sigma 70/2.8 sample |
D2H sample |
Soft Focus No.1 |
Soft Focus No.2 |
Soft Focus No.3 |
The light is the difference |
High Key Fly |
Palm tree |
IR and Monochrome sample |
SD10 IR modification |
Full size IR shot |
IR test frame |
100% crop outtakes |
15mm fisheye closeup |
Flying wasp |
Typical hot shoe mounted flash shot |
Worst case sample |
Snap |
Field curvature sample |
Unfortunate reflections |
Sample of spot blow-outs in closeups |
Moving in |
100% crop |
Downsampled Full frame |
One half |
ZD 14-54 Cloesup sample |
Bokeh comparison |
Small size |
roof 1 |
roof 2 |
15mm fisheye vignetting sample |
ACR vs SPP |
ACR vs SPP 300% |
Full frame for reference |
Wrong direction |
Skin tones with green |
Crop selection |
Not even close |
Wolf |
Gockel |
Negative fill light |
X530 snap |
100% crop worst case bokeh samples: Sigma 70/2.8 - Nikkor Ais 85/1.4 - Ais 105/2.5 |
Sigma 70/2.8 out of focus sample |
Sigma 400/5.6 + 1.4 TC sample |
Cat |
Cat 2 |
Cat 3 |
S5 100% crops |
S5 downsample full frame |
FUji S5 dynamic range at ISO 640 |
S5 RAW conversion sample (HU and ACR) |
Fuji S5 RAW conversion |
camera flash compensation |
Grain addition |
Sigma 180/3.5 border sharpness sample |
100% crops with equalized ACR / HU settings (ISO 1250) |
ACR and HU - S5 RAW developed with as-shot settings |
S5 downsampled full frame |
100% crop outtakes |
100% crop outtakes |
S5 downsampled full frame |
sharpened 100% crops |
Playing with new B&W conversion settings |
Playing with new B&W conversion settings |
Take that fisheye out of my face... |
Spooky moth |
Lazy Sunday |
Sigma 400/5.6 sample |
Leaf |
Lizard |
Sigma 20-40/2.8 - flare control |
Cat |
Il Cavallino Rampante |
Reverse lens setup |
Approaching |
T-May sample |
Playing with new B&W conversion settings |
JF |
JF2 |
Vivitar Series 1 90-180/4.5 FlatField Macro zoom lens |
Hoverfly |
Voigtl�nder Ultron II 40/2.0 Macro Samples |
IMG17058.2.jpg |
Macro shootout between Voigtl�nder Ultron II 40/2.0 and Tokina ATX 90/2.5 (24 MB) |
Tokina ATX 90/2.5 with dedicated Tokina Macro Coupler |
Olympus E1 and Nikkor Ais 200-400/4.0 and AFn 300/4.0 |
Tokina ATX 90/2.5 1:1 samples wide open and at the sweet spot |
CA sample |
CA sample 2 |
Macro Nikkor 19mm f/2.8 - Sample shot @ 10:1 |
Macro Nikkor 19mm f/2.8 - Sample shot - CA control |
Macro Nikkor 19mm f/2.8 - Field Setup |
Multiphot setup examples |
missed.jpg |
Simple Macro Lighting Setup [SMLS] |
Extended Macro Lighting Setup [EMLS] |
Bellows Macro Lighting Setup [BMLS] featuring the Macro Nikkor 120mm f/5.6 |
Macro Nikkor 19mm f/2.8 and Tokina AT-X 90/2.5 - size comparison |
Vivitar Series 1 info |
Hotshoe extension |
ID |
SB30 setup |
bokeh.jpg |
Favourite prey |
fliers.jpg |
intersections |
TS1 |
TS2 |
TS3 |
TS4 |
TS5 |
TS6 |
Polaroid x530 sample |
Polaroid x530 sample |
Polaroid x530 sample - processed |
Vivitar 100-500/5.6-8.0 |
Schneider, Kreuznach M-Componon 28/4.0 100% crop |
Nikkor 25-50/4.0 and Nikkor 28-50/3.5 |
PB4 lens movements |
PB4 lens movements |
Bunny |
Crab Spider |
Avatar |
Cat |
AM.jpg |
klarus1.jpg |
< Watches >
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< Pocket Knives >
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< J.F.Photos >
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< eBay samples >
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edc.jpg |
MPB1.jpg |
IMG_20130219_085054.jpg |
tilt18.jpg |
Nikkor-50-1.8-AFD-set.jpg |
Nikkor-50-1.8-AFD-set2.jpg |
_SDI0004.reduced.size.jpg |
sd1.jpg |
Sd1.leo2.jpg |
sd1.leo3.jpg |
sd1.leo4.jpg |
sd1.leo5.jpg |
sd1.leo6.jpg |
< private >
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v1set.jpg |
f3p.jpg |
avatar.jpg |
avatar.jpg |
v1.1.jpg |
waki.jpg |
sigmas1.jpg |
cracked-handel.jpg |
davis.jpg |
IMG_20140413_131553.jpg |
NWSs.jpg |
nwss2.jpg |
nwss3.jpg |
nws.maroon.sheath.jpg |
1.jpg |
2.jpg |
tl1.jpg |
17-50.1.jpg |
17-50.2.jpg |
k5.jpg |
k9.jpg |
k14.jpg |
sitka.full.jpg |
Keith1.jpg |
Puma2.jpg |
dss80.jpg |
AustraLia.jpg |
jon1.jpg |
test.jpg |
jonstest.jpg |
Hancock.jpg |
beta1.jpg |
bubu1.jpg |
michel1.jpg |
la.jpg |
JD1.jpg |
ben1.jpg |
john1.jpg |
ray1.jpg |
uf.jpg |
brt1.jpg |
ben1.jpg |
m1.jpg |
IMG_20150412_140040.jpg |
IMG_20150514_174520.jpg |
12208119_10206287604448175_2146419643_n 1.jpg |
gin2.jpg |
IMG_2075.JPG |
IMG_2076.JPG |
IMG_2089.JPG |
je1.jpg |
imsert.jpg |
coll.jpg |
coll2.jpg |
20160210_2102312.jpg |
ChC.M1.jpg |
ST.CK1.jpg |
dzb1.jpg |
hc1.jpg |
bt1.jpg |
je1.jpg |
IMG_20160608_163514.jpg |
IMG_20160716_010246.jpg |
F3P.jpg |
IMG_20160719_001310.jpg |
b3.jpg |
IMG_20160823_184222.jpg |
IMG_20160829_1547482.jpg |
IMG_20160829_1835132.jpg |
gp1.jpg |
gp2.jpg |
set.jpg |
setd.jpg |
setd2.jpg |
setu.jpg |
test.play.1.jpg |