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James V. Roy | profile | all galleries >> Guitars and stuff >> The NAMM Shows >> Summer NAMM 2001 >> Relicing a guitar body Demo tree view | thumbnails | slideshow

Relicing a guitar body Demo

Fender Custom Shop Manager Mike Eldred demonstrates some techniques for relicing a guitar body
Bodies today replicate the contours and features to painstaking detail
Bodies today replicate the contours and features to painstaking detail
The old ones had nail holes from drying procedures, then so do these
The old ones had nail holes from drying procedures, then so do these
The original nocaster gaurds were made of a fiber like mataerial, so are these
The original "nocaster" gaurds were made of a fiber like mataerial, so are these
The ring left on the underside from the paint can support is also replicated.
The ring left on the underside from the paint can support is also replicated.
Truss rods no longer available are specially manufactured for target model years.
Truss rods no longer available are specially manufactured for target model years.
Mike Eldred explains that the goal of the time machine series is accuracy
Mike Eldred explains that the goal of the "time machine series" is accuracy
Mark Kendrick displays the wear on a finished relic Telecaster.
Mark Kendrick displays the wear on a finished relic Telecaster.
Neck wear and oxidized hardware is also a feature of a properly done relic
Neck wear and oxidized hardware is also a feature of a properly done relic
For demonstration Mike starts with a 2-tone Nitro sunburst Alder Custom shop body
For demonstration Mike starts with a 2-tone Nitro sunburst Alder Custom shop body
having not brought the exact tools from the shop objects like keys to his truck will suffice
having not brought the exact tools from the shop objects like keys to his truck will suffice
The concept of the relic is to artificially replicate natural wear
The concept of the relic is to artificially replicate natural wear
Several strikes with the keys simulate random dings and dents a well used guitar may acquire
Several strikes with the keys simulate random dings and dents a well used guitar may acquire
looking for more materials to replicate the process
looking for more materials to replicate the process
Mike lets the audience help out with a few hits
Mike lets the audience help out with a few hits
Mark Kendrick doesn't think there's enough simulated buckle wear so adds more
Mark Kendrick doesn't think there's enough simulated buckle wear so adds more
Here they just toss a bunch of screws on it and rub them around to replicate random nicks and scratches
Here they just toss a bunch of screws on it and rub them around to replicate random nicks and scratches
Mike stresses that care should be take to appropriately replicate wear in typical places
Mike stresses that care should be take to appropriately replicate wear in typical places
a common wear area is started by a little scraping
a common wear area is started by a little scraping
and some sanding
and some sanding
and the finished product
and the finished product
a close up
a close up
Mike uses a can of compressed air to induce cracking and checking on nitro lacquer
Mike uses a can of compressed air to induce cracking and checking on nitro lacquer