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Phil Douglis | all galleries >> Galleries >> Gallery Twenty: Controlling perspective with the wideangle lens > First Light, Mono Lake, California, 2006
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20-OCT-2006

First Light, Mono Lake, California, 2006

When I use the wideangle lens for landscapes, I will often try to create an emphatic foreground subject by moving in on it, while squeezing the background into the image at the top and leaving out as much sky as I can. (The only time I will include the sky as a major element in my images is when it contains dramatic cloud formations or expressive coloration.) In this image, made with a 28mm wideangle lens, I stress the day’s first light as it grazes the flowers of the massed sage in the foreground. This light is then repeated in the background along the edges of the ancient limestone towers that line Mono Lake. It is a surreal, primitive scene, giving the viewer a unique sense of place.

Leica D-Lux 3
1/400s f/5.6 at 6.3mm iso100 full exif

other sizes: small medium large original auto
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Phil Douglis13-Dec-2011 16:21
Thanks, Barri. It is always a pleasure to receive your commentaries because they are always rich in substantive ideas. Thanks for responding to my notions about leaving out the sky here -- by stressing the detailed foreground instead of a featureless sky here, I place the emphasis on the relationship between the sage and the stone. And yes, a wide angle lens used for such emphasis almost always will pull the viewer into the image.
Barri Olson13-Dec-2011 09:23
Hi Phil. This is very beautiful indeed. The light is great and emphasizes and defines the flow of the composition. I certainly know what you mean about the sky...waiting for days for clouds :-) Glad you mentioned how the wide angle can really grab the viewer and pull them in...I've never thought of that before even though I love wide angle shots, and how true that is. Also I like how a person must think about composition, how the photographer can't resort to using background blur to isolate a subject (overused in my opinion) but rather has to set the subject within it's surroundings. Beautiful.
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