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Phil Douglis | all galleries >> Galleries >> Gallery Seventeen: Memories in Metal and Stone: How monuments, sculpture, and tombs express ideas. > Standin’ on the corner, Winslow, Arizona, 2006
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11-JUL-2006

Standin’ on the corner, Winslow, Arizona, 2006

Winslow is home to nearly 10,000 residents and acquired international recognition in the 1970s because of a brief mention in the Eagle's recording of Jackson Browne's popular song "Take it Easy." To capitalize on its claim to fame, the town erected a statue next to a cleverly executed mural painted on a wall at its Corner Park, allowing visitors to have their photos taken next to it while "standin on a corner in Winslow, Arizona." I wanted my photo of this statue to gain context from the painting on the wall of the building just behind it. The two stanzas of Browne’s song that inspire this image adds additional important context to this photograph. Without knowing the lyrics, the image means much less.

“Well I‘m a-standin on the corner in Winslow, Arizona
With such a fine sight to see
It’s a girl, my lord, in a flatbed truck Ford
Slowin down to take a look at me.

“Come on baby, don’t say maybe
I’ve got to know if our sweet love is going to save me
We may lose and we may win
But we will never be here again
Open up, I’m climbin in, to take it easy”

To express the essence of the song, I focus on the statue of the boy, who seems appropriately moody and wistful. I put the painting of the girl in the flatbed Ford just out of focus, as if seen in a dream. She seems to be driving right through the statue.

Browne does not tell us if the boy’s wishes are to be fulfilled or not. We can only wonder. Interestingly, an actual flatbed Ford truck was parked on the street next to Corner Park, just a few feet from this statue. And another painting, which occupies a faux window on the upper part of the wall, shows an abstracted couple in a passionate embrace. (You can see this part of the wall in another image I made of Winslow’s Corner Park, which appears in my “Time Machine” gallery. To see it, click on the thumbnail below.

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Phil Douglis14-Nov-2006 01:26
It is really the sharpness of the statue vs. the softness of the painting that makes this image work, Theodore.
Guest 13-Nov-2006 11:54
Wow, Cecilia really said it right. Love this composition.
Phil Douglis20-Jul-2006 00:25
Thanks, Cecilia, for being the first to weigh in on this one. The planners of Winslow's Corner Park very cleverly arranged the sight lines for us. However to really work as photographic expression, the three dimensional statue must be sharp and the two dimensional painting must be soft. After reading those lyrics, this image works even better for me. I was not familiar with Browne's song until after I made this image and researched it on the web. The photo works for all the reasons you list below.
Cecilia Lim19-Jul-2006 15:15
I love how you pulled everything together here in terms of composition, vantage point and depth-of-field to create the story that you are telling here. Although the statue is 3-D and the painting is 2-D, this trick of perspective suggests a relationship between the two, with the girl eyeing this wistful young man, fulfilling the very lyrics of the song! Yes, we'll never know what happens between the two, but I love that the tension of longing, and the promise between these two strangers are forever immortalized in your image.
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