A local sculptor stores this life sized bronze figure just behind his gallery. It’s not ready for public showing, but it certainly makes a surreal focal point for this image. The key is my vantage point. The sculpture stands at the corner of the building, which allowed me to move behind it and link it to two separate walls at the same time. I abstract it, and at the same time pose a question: if it could move, which way would it go? He seems hemmed in by the stuff that stands behind him on the left. But the dolly that was no doubt used to get him where he is, stands waiting for him on his right. The rear vantage point intensifies the incongruity of his placement, and implies a potential future course of incongruous action.