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Phil Douglis | all galleries >> Galleries >> Gallery Twenty: Controlling perspective with the wideangle lens > Long walk, Baisha, China, 2006
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02-APR-2006

Long walk, Baisha, China, 2006

I saw this lone figure walking the early morning streets of this small farming village outside of Lijiang and wanted to create a sense of scale incongruity between him and his environment. I needed to stretch my picture and make the house in the foreground as large as possible, the road as long as possible, and the man as small as possible. I shot this scene at three different wideangle focal lengths (35mm, 28mm, and 24mm) to see which worked best. This time, my choice was 24mm. It was an ideal tool to solve this challenge.

Panasonic Lumix DMC-FZ30
1/500s f/8.0 at 7.4mm iso80 hide exif
Full EXIF Info
Date/Time02-Apr-2005 18:02:36
MakePanasonic
ModelDMC-FZ30
Flash UsedNo
Focal Length7.4 mm
Exposure Time1/500 sec
Aperturef/8
ISO Equivalent80
Exposure Bias-0.33
White Balance (10)
Metering Modemulti spot (3)
JPEG Quality (6)
Exposure Programprogram (2)
Focus Distance

other sizes: small medium large original auto
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Phil Douglis31-May-2007 07:08
It took a year for someone to finally leave a comment here, Tricia -- thanks so much. This image depends on the shadows to both abstract and guide the eye. The wideangle lens can often be used to take the viewer on journey, because it can embrace so much territory. That's why we must always anchor a wideangle composition, as I do here with the building and tree on the right hand side, and then allow the eye to flow left as the building and shadows recede into the background.
flowsnow31-May-2007 02:18
Phil, Thanks for the tips in taking pictures like this. The first thing that caught my attention was the shadow of the tree and later it drew me to the walking man in the street. That in itself you have taken me to a journey far in to the end of the background of the walking man.
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