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Phil Douglis | all galleries >> Galleries >> Gallery Twenty: Controlling perspective with the wideangle lens > Pyramid, Scottsdale, Arizona, 2005
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25-MAY-2005

Pyramid, Scottsdale, Arizona, 2005

By angling my wideangle lens upwards and tilting it to one side, I was able to turn the corner of a simple stucco building into a pyramid-like structure. The wideangle distorts perspective at close range, and I’ve used it here to do just that. Wideangle lenses also make it easier to shoot images built as a series of layers. The bush in the foreground is my foreground layer, anchoring the image. The building is the middle layer. I noticed birds flying overhead, and kept shooting from this position until I able to freeze one of them to create my third layer. Its outstretched wings echo the thrust of the leaves on the plantings in my foreground layer. The pyramidically shaped building now resembles a monument, symbolizing man’s dreams of eternal power. The plants surrounding it reach towards the sun, a reminder of nature’s vitality. The bird soaring overhead repeats shape of the leaves with its wings, adding the promise of freedom to this image.

Canon PowerShot G6
1/400s f/4.0 at 7.2mm full exif

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Phil Douglis24-Jun-2005 20:58
Ana, thank you for your strikingly honest feelings about this image. I made it as a trigger to the imagination, and as you can see, it has been working overtime in provoking a great variety of thoughts. I deliberately phrased my caption to allow the viewer plenty of room to work, free of my own interpretation. You have given me another way to look at this image. I keep seeing that soaring bird, and I soar with it. Yet you can't. Is that the fault of the image? I don't think so. We photograph what we are and we are what we photograph. And when we look at images, a similar process takes place. If you feel trapped by the massive wall and the foliage, it speaks of how and why you see what you see. If I choose to soar, so be it. That's me. What you demonstrate with this comment is the very essence of expressive photography. As I said, it's a trigger to the imagination, and each of our imaginations work in different ways. Which is a blessing, not a curse! You show me that my picture is doing its job well. Thank you, Ana.
Phil Douglis24-Jun-2005 20:57
Marisa, thanks for bringing the myth of the Phoenix Bird to this image. Very appropriate. And even more appropriate if this bird should be, as you guess, one of our favorite residents, the Road Runner. I rarely see them flying -- they are always running through my front yard. I am glad you see this image as a pyramid -- some do and some do not. It all depends no how your imagination works. I was stunned at how you linked the myth of the Phoenix to the symbolism of the pyramid. You always have a way of closing the circle, don't you? Your mind flows along incredible paths, Marisa -- it is an honor to know you and have your thoughts grace my images. You always bring a lavish context to bear on them, and you allow your imagination to fly as high as this bird. Thank you.
Guest 18-Jun-2005 16:01
Ah, Phil!! Since the first time that I saw this picture, I chose this one as my favorite!!
I came here a lot of times, just to look at it, contemplating what is there for me...
And today everything found its place. So, here's what I feel and think about it.
this one is a kind of mythical image for me, for a lot of reasons. The first time I saw it, I instantly thought about the myth of the Phoenix Bird, because I felt that the bird has just gained its freedom, resurrecting from the past life.
Here we have: nature (represented by the trees, the sky and the bird) and mankind (represented in the construction of this 'pyramid'). And I feel that, in the way that you presented the picture, both are in harmony. The colors are complementary and we have a warm tone in the hole composition. Although the human construction is 'rigid' and have straight lines, the final details of the building are almost 'natural', because of the texture that covers that construction, and also because of the terracota color that reminds to the natural ground.
The theme of the pyramid is also very interesting. I relate it with Egypt and with the Maya and Aztecs. In this way, my impression of the Phoenix Bird is very well connected: we can find this myth in the Egyptian history (particularly with Ethiopy), and also with Maya, Aztecs and Toltecas in the figure of the Quetzal bird (what a coincidence that I made this shot some days ago... that I named 'Quetzal' ..http://www.pbase.com/mlt/image/44429983 ). (We can find also representations in different cultures: in chinese (the Fêng-Huang), in japanese (the Ho-oo), in russian (The bird of Fire), in egyptian (the Benu), in hindu (the Garuda), in the north america indians (the Yel).). The myth is also related with the Genesis in the catholic religion..
And in the Phoenix Bird myth, he burn itself turning his nest into a funeral pyre. And 'pyramid' has the same base as word.. and the pyramid was a place united with life and death and resurrection...
And.. you live in Phoenix... Isn't this point of the story incredible????
Marisa
PS: I think that the bird is one related to the family of the Cuculidae, because of the shape of the body... maybe the famous 'road-runner'?
Ana Carloto O'Shea14-Jun-2005 07:06
I have come to look at this image a lot of times, but the feeling I get when looking at it is the same, for me it speaks of lack of freedom it speaks of imprisonment... It's strange to get this feeling from such a bright image, but that is really what I feel when looking at it.
I don't see a pyramid at all, I just see a high wall, a tight closed space from which one cannot get out and this strange feeling is even more reeinforced by the bird that we can see flying against the blue sky... The bird is free! And in this photo I am not, I am always "stuck" in the bottom of the composition, looking up and knowing that I cannot escape. One thing is certain, I have never had such a feeling when looking at a bright, full of sunshine photo...
Well Phil, I hope you don't find this too strange, but if I am not speaking the truth, then this won't have any value...
Phil Douglis03-Jun-2005 19:00
Thanks, Sonia and Jen, for appreciating what I was trying to express in this image, and for learning so much from it. This image is rich in symbolism -- not only does it suggest the great tombs and temples of the Egyptians, Inca, and Maya, but also the quest for power among our contemporaries as well. I know that my title, Pyramid, is a catalyst for such thoughts. I chose it deliberately, to bring a context to this image that speaks of such issues as you suggest, Sonia. Jen reacted to the title as well, but came to a different conclusion.
As for that bird, I don't think Scottsdale has many eagles flying over its parks. I am sure that someone out there will be able to identify the bird for us. I intended it to represent, along with the plants reaching for sun, the vitality of nature, and the freedom it promises. It fascinates me that we can create such powerful ideas with just the end of a simple building, some plants and a bird. It is my vantage point and my choice of a wideangle lens that makes it all come together as expression.
Guest 03-Jun-2005 16:59
Sorry Phil, I didn't login again ... Sonia
Guest 03-Jun-2005 16:57
Thanks to the title, Pyramid, the picture takes me to Egypt. I surely agree with Xabier that it brings us to Giza and the desert. Phil, I know you were thinking about Inca and Mayan too by reading the comments below. Arizona, an arid place too, can also be a reminiscence of these places - they all symbolize death. The bird there looks like an eagle to me, it strengthens the idea of death brought along by the pyrimad.

The incongruous vitality here brings me to the other side of death - a paradise of afterlife. A pyramid was meant to be a staircase that leads the spirit of the dead up to the sky. However in here, it takes the living (the vegetation) up to the sky (where the eagle/death is). This switched phenomenon seem to blur the line between life and death - asking : are we approaching death when we die or is it a better life that we're approaching?

Sounds like a weird afterlife theory here, but it all comes to me because of the given title.
Jennifer Zhou03-Jun-2005 13:46
Dear Phil, This is a brillant image! I am amazed again by your ability to turn some everyday stuff to an expressive photograph that give us so much food for thought.

I never figured out what this pyramid is until read your caption, I think most of us might just walk right pass by and never realize there would be an expressive photo worth taking, and never stop complaining about there is nothing interesting enough to take pictures. I think we really need to open our mind and our eyes, to look meanings in things and try to see things differently. The world is not always what it looks like, we can create a different world with our personal vision, like you did here.

My first react to this image is REACHING OUT TO THE SUN, the picture is full of life, and vitality. But I overlooked the meaning of the pyramid, until I read your caption. You tell stories about the world in this picture----While man absess with power and such, the plants and birds enjoy the simplest thing----life and freedom...But at the end are the most important things to us also...
Phil Douglis29-May-2005 19:45
Thanks, Dandan, Mikel, and Catriona, for these comments. I am glad that all of you saw the importance of the bird here. I made many images of this building with its plantings, but without the bird overhead, it is limited in expression. The tension created by the positioning of the bird is critical, Dandan. It is just far enough from the top edge to express freedom. If it was further back, it would not. I am delighted that both Dandan and Catriona see the positioning of the bird here as the key to expression.

Mikel -- I was also thinking of the Inca and Mayan temples when I shot this image. And yes, there are overtones of what I found at Angkor Wat as well. Nature always takes back what man has taken away. Your reference to the significance of the condor was fascinating, too. While far from a condor, this bird in full flight speaks of unlimited power to soar into the heavens and in a sense, take all of us with it.
Guest 29-May-2005 14:48
That bird is in such a perfect position!! It even spread its wings for you perfectly repeating the shapes in the wings below. The three levels in the photo work well together. I like the contrast of the colours - the green leaves against the terracota coloured building. It all fits together beautifully Phil!
Guest 29-May-2005 11:46
Well, I have to say that this concept of the image whent quite in the way I saw it before I looked at your caption. On the other hand, you know that I like to stress objects with the wide angle lens too. ;)
Though perhaps the difference, of my point of view was not that much of a piramid but one of those mighty Inca buildings in the midle of the jungle perhaps a piramide too, basicly for the reason of the vegetation since the pyramids of Gisa, as an exemple are in the middle of the desert.
What I felt here was quite the same as in your pictures of Agancor, how man tries to dominate and be stronger above everything else but slowly all our great dreams that make us feel like Gods fall in time to a decadence thankes to nature that always ends up geting back what we have taken away, sloly, relentlesly but nothing of ours will last for ever.
The bird of untop was also an other point to the Inca version of mine as for them the condor was a sacret bird very important in there religion and in this case, though it doesen't look like a condor I imidiatly related the bird to it. A bird that flyes high above us controling our deliriums from a free standing point that is the air.
Guest 29-May-2005 08:33
Phil, in this image, I especially like the position of the bird. The tension you created between the bird and the edge really pull the viewer’s attention to the bird. The feeling of freedom is just about to bust out!
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