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Phil Douglis | all galleries >> Galleries >> Gallery Twenty: Controlling perspective with the wideangle lens > Mekong River Welcome, Banlathan, Laos, 2005
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Mekong River Welcome, Banlathan, Laos, 2005

This is a simple scenic subject, yet the use of wideangle perspective has added a sense of layered depth that pulls the viewer into the scene. It also gives a sense of scale to the vastness of the Mekong valley itself. I used my 24mm conversion lens to stress the rocky, rugged quality of the land itself, filling the foreground layer with sand and rock. This leads the eye to the middle ground layer, where we see a thatched roof boat shelter, a river boat, and up on the hill a group of boys who served as our welcoming committee. By deliberately placing the boys in the middle ground layer, I made them small enough to be symbolic, rather than describe them physically, as well as giving the scene a sense of grand scale. A thin trail of boats and rocks along the shoreline draws our eye into the background layer of this image, where large hills give us a sense of the Mekong Valley’s topography.


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Phil Douglis15-Apr-2005 20:35
I just noticed that you are using a camera with a full frame sensor, so your 24mm to 70mm lens would give you a true 24mm focal length, exactly what I used to make this image.
Phil Douglis15-Apr-2005 20:29
The key, Anna, is using the wideangle lens to layer your images. I look for rhythmic repetition such as you point out all the time, and include similar shapes in the different layers of the pictures as I did here. This picture took three or four different tries from different spots, to get the foreground layer to work with the house and boys in the next layer, and lead to the shoreline that pulls us into the depths of the picture at the final layer, the mountain. Just think in terms of layers, and shift your position accordingly. And be sure to use a wideangle lens focal length that is at least 24mm in 35mm terms, (probably 16mm on most digital SLRS), which allows you to move in very close to your subject to stress detail yet still get in the critical context in the other layers.
Anna Yu15-Apr-2005 19:32
The soft rounded shapes of the sand dunes are repeated in the mountains. I like this point of view a lot and am still trying to figure out how to do it. The house and the boys on the hill fit in so perfectly.
Phil Douglis01-Mar-2005 02:36
You have such a fluent and gracious way of interpreting an image, Dandan. I guess you are saying that no matter what topic I am teaching, in the end my images manage to somehow incorporate basic human values. If you and Anna choose harmony, i would go along with that.
Guest 28-Feb-2005 14:14
This is a very soothing and peaceful image. It remains me of this of yours:http://www.pbase.com/pnd1/image/40197677
Even though they are in different scales, different contexts; for me, they are all about human in their homeland, comfortable adapted to their environment. I guess “harmony” should be the word as Anna described.
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