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Phil Douglis | all galleries >> Galleries >> Gallery Nine: Composition -- putting it together > Kennecott River Valley, McCarthy, Alaska, 2002
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16-JUL-2002

Kennecott River Valley, McCarthy, Alaska, 2002

From the footbridge across the dried out bed of the Kennecott River, just outside McCarthy, I made this 28mm wideangle image of the sweeping Kennecott Valley. In the far distance at the center of this picture, is the ghost mining town of Kennecott. My objective in making this picture was to offer a sense of Alaska's sweeping grandeur and the remoteness of the distant ghost town. This is a landscape photograph. To make this landscape work, I relate three layers of information to give the viewer a sense of perspective. I used a wideangle lens to stress the dry river bed in the foreground, relating it to the forests and distant mining town in the middle ground, as well as to the mountain range spread beneath the cloud-streaked deep blue sky in the background.

Canon PowerShot G2
1/160s f/4.0 at 7.0mm full exif

other sizes: small medium large original auto
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Phil Douglis01-May-2006 21:52
You have an eagle eye, Jenene. I never noticed either kayak or the man until you mentioned it today. I guess I was too busy thinking about the layers of meaning here to truly study this scene for the small details. Your image works very much as this one does, but the man in your picture is more evident. In fact, he is the focal point. If the man in my picture had more contrast in coloration, he would have added great scale incongruity to this image. Now that I know he is there, however, I can't take my eyes off of him. Maybe the dream you speak of here is his!
JSWaters01-May-2006 19:36
I guess I hadn't finished my thought. I feel like I'm walking through a succession of opening doors here. It's not the landscape itself that's drawing me in, although, compositionally it is. This image is more about the lengths man will go to fulfill a dream.
JSWaters01-May-2006 19:29
I'm very drawn to this image, Phil. I found myself studying it and my reaction to it for a long time. You already know that I like the layered image,http://www.pbase.com/jswaters/image/59296232, and this is so much more. If this is a dry riverbed, why does there appear to be a kayak on the edge of the water? Where is the boater? Who is the man traveling along the road, and where is he going? He's so tiny and seemingly insignificant in this monumental landscape, and yet, this area was once teeming with miners who tried to force the land to yield its treasure. In the end, the land swallowed up every last one of them, leaving only the town's skeleton as witness to it's occupation.
Phil Douglis15-Oct-2005 22:39
Your eye gets sharper by the day, Lisbeth. You are seeing elements now that you might have missed a few months ago. Yes, I was aware of how the horizontal lines in this image -- the lines of trees and the bare patches on the mountain, lead the eye to the distant town. And thanks for pointing out how the clouds repeat the shadowed areas within the trees.
Lisbeth Landstrøm15-Oct-2005 22:01
Wonderful picture! I tried to study the repetitous lines, and I noticed that the patch leads from the right down to the waterpool on its right - echoing the bare line that is drawn on the mountain and leads down to the mining town. Its also fine how the 2 most characteristic clouds repete the nearest shadowed forest areas.
Phil Douglis04-Aug-2004 03:47
Good point, Henk. There is definitely an increased illusion of depth given by moving a scene from shadow into light.
oochappan04-Aug-2004 01:23
A strong aspect here that you didn't mention is the feeling of depht enforced by taking this view from out of the shade to the sunny claer horizon. I must remember this technique.
Phil Douglis31-Jan-2004 05:32
I intend to.
Guest 31-Jan-2004 05:30
keep going!!!



^_^
Phil Douglis30-Jan-2004 19:25
And I love your response to this shot, because that is exactly how I felt when I saw this scene before me in Alaska --- OOOOOOOOOOOOOOOOO!
Guest 30-Jan-2004 07:38
OOOOOOOOOOOOOO


I LOVE IT!!!!!!
Phil Douglis27-Nov-2003 04:24
Hi, Erin -- thanks for posting this excellent comment. You are right -- both this photograph, and my shot of Copacabana Beach http://www.pbase.com/image/20830934) depend on perspective control. As you noted, large scale landscape scenes must be photographed so that they give the illusion of depth. Otherwise they will appear as you describe: flat and boring. The illusion of depth is provided by controlling perspective. Wideangle lenses, such as in this 28mm shot, can help you to relate foreground, middleground, and background subject matter to each other in terms of scale. But to express such scale, you must make sure you find a vantage point that allows you to compose your image around an emphatic foreground (such as these stones) and then draw the viewer's eye deep into the picture to find the tiny mining town in the middle of the picture, comparing it in scale to the vast mountain range behind it. You are right -- you do have to understand the differences between how the eye sees and how the camera sees. You have to make the camera see selectively, as I do in this shot. And I do it with lens choice and vantage point. If you do not have a true wideangle focal length (28mm, 24mm, or wider) it would be very difficult to translate such as large scale landscape as this into a coherent image.
Guest 27-Nov-2003 02:33
Thank you for posting your photos in such an instructional manner. I compared this shot with "Christmas eve, Copacabana Beach, Rio de Janeiro, Brazil, 2002" and I now (somewhat) understand the effects you can get in a large scene photo, depending on whether you use wide-angle or telephoto lenses.

I have taken many large scene pictures (nature pictures) that look very flat and boring. Mountains that look large to the eye will look tiny in those shots. I see that equipment can make a difference (and lighting, as in this picture). Better understanding of the technology can really help.

Erin
Phil Douglis31-Oct-2003 06:18
Thanks, Mattias, for this comment. It's a pleasure for me to share them with you, in the hopes that they may be able to help you make more expressive images yourself.

Phil
Mattias Backström30-Oct-2003 21:34
Totally wonderful photos. THANK YOU for sharing these!
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