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Phil Douglis | all galleries >> Galleries >> Gallery Sixty Eight: A city portrait -- impressions of New York > Earlybirds, Theatre District, New York City, New York, 2016
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03-NOV-2016

Earlybirds, Theatre District, New York City, New York, 2016

The hit musical “Hamilton, ” well into its long Broadway run, was the still the hottest ticket in town during my 2016 visit to New York City. The show was playing just across the street from my hotel, offering me a chance to photograph its entrance at various times of day. Early one morning, I found two young women already claiming the first spots on the theatre’s front steps. They camped squarely in front of the building’s locked doors, well before the throngs of anxious potential ticket buyers would join them. Their relaxed body language contrasts to the larger than life size animated silhouettes of the 18th century Hamiltonian characters emblazoned upon the theatre's locked doors. A huge banner proclaiming the show as the “Musical of the Decade” hangs over the scene while the two women chat and the play’s symbolic characters dance behind them. The colors are symbolic as well. This hit rap musical about the turbulent life of America’s first Treasury Secretary is packaged in gold and black, the colors of power, wealth, and eventually grief.

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Phil Douglis20-Jan-2018 23:32
Well said, Bernard. This image was intended to link parallel stories of both past and present. The two young women as about to view a play about the past, but are certainly discussing the present as they await an entertaining history lesson.
Bernard Bosmans18-Jan-2018 00:21
Jolly good one, past and present united, without any fanfare.
Phil Douglis16-Oct-2017 04:34
Thank you, Marisa, for noting the set of "contradictions and opposites" at work in this image. It was you who first introduced me to this way of thinking when we first exchanged conceptual viewpoints here on pbase shortly after I launched this cyberbook more than twelve years ago. Ever since then, I've always been looking for ways of using this approach in my photographs. As I made this image near a year ago, I was well aware of those two different epochs facing me at this theatre, just across the street from my hotel. My purpose in making this image was exactly as you describe -- the silhouetted abstractions that perform within those golden doors evoke a distant time that plays against the conversing pair of present-day young women who pay no heed to the drama unfolding behind them. Yet both you and I sense that this contrasting set of epochs is somehow linked within the unfolding of time itself, time that seems to curl back upon itself. The pair of women seated on those steps await a trip back into time, and will soon lose themselves in a musical entertainment celebrating the life and death of a man whose controversial career helped build a nation. What they probably don't realize is that they, too, are already a part of the very history they have come to absorb. But those who study this image will come to see both past and present as a single idea, as you so eloquently describe. Thank you, Marisa, for coming to this image and explaining how you see it work as expressive photography.
Marisa Taddia 13-Oct-2017 23:22
I love this photo! The first impact that generates me is to witness the coexistence of two totally different worlds and epochs. The difference of dress, hairstyles, manners and gestures is very noticeable. But somehow past and present seem to be in the here and now, almost as confirming that time is circular and non-linear.
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