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Phil Douglis | all galleries >> Galleries >> Gallery Twenty Two: Black and white travel photography – making less into more > Emma, by Tom Douglis, Chicago, Illinois, 2016
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11-SEP-2016

Emma, by Tom Douglis, Chicago, Illinois, 2016

My son, Tom, sent this image to me while researching our family history as part of a genealogy project. He found this grave marker among the weeds of a Chicago cemetery and photographed it with his iPhone 6 camera. He made this picture in color to document the burial place of my Grandmother’s sister, Emma, who died in 1912 at the age of 15.

While not originally intended as a work of photographic expression, my son’s photo of my Great Aunt’s grave marker becomes a powerfully expressive image once I crop it, move in on the detail, and convert it from vibrant color to this soft, sepia toned monochromatic image. The pinkish marble stone and the vivid green weeds recede, simplifying the photograph. The sepia speaks of age, while the detail on the stone takes over – a branch inscribed by man upon the stone leaps forward to symbolically bond with the weeds, a work of nature.

The image now tells the story of a young life cut short, yet still remembered as very much a part of the natural world.

Apple iPhone 6
1/1199s f/2.2 at 4.2mm iso6400 full exif

other sizes: small medium large original auto
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Phil Douglis13-Sep-2016 23:01
Thanks, Iris, Stephanie, and Carol for your commentaries. The difference between the color image and this monochromatic sepia version is profound, not just in appearance, but in terms of how coloration (and the lack of it) affects meaning here. The vivid colors of nature, which I removed from my son's original picture, initially overwhelmed the nearly 100 year old grave marker. This sepia conversion does indeed imply age as you note, Iris. More importantly, the more abstract conversion provides a stronger linkage between the surrounding weeds and the symbolic branch inscribed upon the stone. I also glad that you noticed the role that my crop plays here as well, Carol. The crop, as well as the conversion, helps change the image from a document to an expression.
Carol E Sandgren13-Sep-2016 18:29
I like how this is framed: just the wording and leaves surrounding. I didn't realize at first look that it was actually a grave marker. It takes it out of context somehow, which I love.
and agreeing with Iris, the sepia tones work so well here.
Stephanie13-Sep-2016 15:37
A fascinating and telling story from your photo work and pp'ing! V
Iris Maybloom (irislm)13-Sep-2016 05:32
Kudos to your son for finding this very interesting marker. The sepia toning works beautifully in this image. Not only does it age the picture, but it also brings out the textures and irregularities of the stone and gives it dimension.
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