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Phil Douglis | all galleries >> Galleries >> Gallery One: Travel Abstractions -- Unlimited Thought > Subway encounter, New York City, New York, 2010
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09-JUL-2010

Subway encounter, New York City, New York, 2010

This fellow was blocking half of the stairwell to a platform at the City Hall subway station. He carried what looked like a clipboard and stood waiting for people to enter or leave the steps to the platform. He would nod to those who passed him, and if he caught their eye, he would say something. I do not know what he wanted – everyone who passed him ignored his request. I saw this woman approach and pass him as well, and caught the pair in silhouette the moment before he seems to be making a futile pitch from behind. The image is rich in tension because of the negative space that appears between the inside of the woman’s arm and her body, between the outside of her arm and the railing, and between the railing and the man. I abstract the scene by backlighting it, metering on the bright light over the steps and throwing everything else into silhouette.

Panasonic Lumix DMC-G1
1/160s f/5.0 at 124.0mm iso1600 full exif

other sizes: small medium large original auto
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Phil Douglis26-Apr-2018 17:03
Thanks, Merri, for bringing this image back to life for us almost eight years after I made it. Your comment tells us as much about your own imagination as the image tells us about it's content.That is the great power of abstraction in photography and all the arts. By leaving information both seen and unseen, we can challenge the imaginations of our viewers to enter the image and make of it whatever they wish. That is the great difference between making pictures as description and making them as expression. Your comment focuses on how you think the man might regard this moment in time, while my own imagination was trying to figure out how the woman felt at this moment, as was about to pass within a foot of this stranger that stood before her. Everything else in the image works as context, intensifying the tension of the moment itself.
Merri 25-Apr-2018 05:43
Is he looking after her with resentment because she rejected him? Or is he looking at her because he discerns she might be the object of your attention as the photographer and he doesn't want to miss whatever it is that got YOUR attention? I don't know; as a woman, it does raise slight discomfort for me, but I think sometimes photos SHOULD capture tension: either overt or implicit. Also, all of those geometric angles surrounding the silhouettes further serve to make them the focal point, even though the two are in shadow.
Phil Douglis11-Aug-2010 22:27
You are right about the foot, Tim. He seems about to make a move towards her, as she comes at him in full stride. I am glad you made this comment, because I just blew up the original and lightened it as much as I could and apparently the woman is indeed walking away from him and he is indeed looking after her. It now almost looks as if he is raising his foot to follow her.
Tim May11-Aug-2010 16:44
This is such an eerie image for me - the shadowiness allows enough detail to see that she seems to me to be walking away and he is looking after her. Strangely enough the one gesture that seems to make this eeriness more ominous is the slight lift of his foot.
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