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Phil Douglis | all galleries >> Galleries >> Gallery Seven: Making time count > The kick, Sidi Bou Said, Tunisia, 2008
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05-NOV-2008

The kick, Sidi Bou Said, Tunisia, 2008

Sidi Bou Said, twelve miles north of Tunis, is a whitewashed village featuring blue windows and doors and many tourist shops. I left my tour group for a moment and wandered up the street to an intersection. I saw a bolt of light on the stone street that acted as a pointer. I also heard the repeated thumps of a ball being bounced and kicked and raised my camera just as this boy came into view. He was kicking the ball off his knee, again and again. I made a number of images, but this moment contains the most tension in the negative space between the knee and ball. He throws his arm back, rises on one toe, and propels the ball forward. The setting adds a sense of place and the light on the street points directly at him. It is very much Sidi Bou Said. And it is also a special moment in time. There are no maybes or almosts here. I simply found the exact moment I wanted to preserve.

Leica D-Lux 4
1/500s f/3.5 at 5.1mm iso80 full exif

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Phil Douglis30-Aug-2012 17:39
Welcome to my galleries, Ken. The level of discourse you mention is due to the fact that my entire site is devoted to instruction in expressive photography. I do not get many superficial comments here -- people do not come to my pictures to socialize, they come to learn, and I am delighted to help them do so in any way I can. I appreciate your comment, and hope that I can be of help.
Guest 29-Aug-2012 23:22
I feel humbled and don't know what to say. Usually, i just make comments like "nice comp" etc but I seemed to have stumbled upon a much higher level of discourse here with your galleries. It would take a long time to digest all of this and compose meaningful thoughts. So for now, let me just say this is exceptional
Phil Douglis29-Jul-2012 22:04
Thanks for coming to my instructional galleries, Richard. I hope that you will find much here that may prove of value to your own photographic adventures. Thanks, too, for your gracious appraisal of my work. I appreciate your kind words. As for this image, it is one of my favorites, and that is why I have selected it as the thumbnail that represents this entire gallery on "Time.". I thought that I had mentioned all of the reasons why this image works for me, but you have added a new dimension to it for us by noting the incongruous contrast between the aging street and buildings, and the enthusiasm of youth itself. Your observation adds a great deal of additional meaning to this photograph for me. And thank you, as well, comparing it to my "skateboard" image on the previous page (http://www.pbase.com/pnd1/image/113490082 ) Both express the importance of a youthful moment caught forever by a still photograph. The exuberance of youth is expressed in each of them, once and forever.
Richard Cobby29-Jul-2012 10:04
Hi Phil, I have no idea why I haven't found your galleries before
now as they represent such inspiration that only a master photographer
can convey so well. This image has very similar compositional qualities
to your 'scateboard' image. I like the extra framing of the shadowed foreground
stone work and right wall also in shadow which all helps to set the scene.
I won't repeat your own comments only to say that the subject placement and
moment of capture are just sublime. I love the juxtaposition of youth and old
village/town environment - this works so very well. Congratulations and vote on a top notch
image and I will certainly be paying many return visits. Kind regards Richard UK
Phil Douglis18-Feb-2012 19:05
Glad you found the composition and timing of value, Mario. As I noted, I could hear the thump of the ball even before I saw the boy come into my frame, so I had a chance to frame the image as I wished. As for the timing, I shot every one of his kicks while he was walking through my frame. This, the final kick, worked the best.
Mario Solka18-Feb-2012 17:13
Beautiful image.Terrific composition and timing**
Phil Douglis24-Jun-2010 18:31
HCB caught some wonderful moments of children at play, Luko. This image is an example:

I am flattered to have this image even considered as a nod to his work. In his work, the "decisive moment" is always coupled with the use of composition which adds context to the moment and give it meaning. As he called it, "the recognition of an order." Yes -- it is a combination of anticipation and geometry that makes the moment work. I had both in mind as I worked on this image. In many ways, this image is also similar to my approach to a photo of a child at play that I made in Morocco:http://www.pbase.com/image/72900078 Thanks for your comment.
Luko G.-R.24-Jun-2010 09:01
As a HCB afficionado, I can indeed recognize this kind of photo as a nod to his work (the spanish era circa 34). More than the supposedly "decisive moment" (which btw is a word from Delpire, his editor.), my eyes are firstly pleased with both the complexity and the balance of geometry in your shot : rectangles of the windows and the pavement, triangle of the light streak matching the reverse V of the legs, circle of the ball.

In Paris we are blessed that every 2 years or so there is an exhib dedicated to HCB (add on top that we have HCB's own photo foundation all year), I remember on the very first exhib I attended 20 years ago on his work, I was struck with the lesson of geometry unfolding to my eyes. It was like speed dating with Euclide.

Then there is the "zen archery" as the master says, which is recognizing the climax of a scene... often like you are showing right here, it is a matter of anticipating the scene that is going to happen and ambushing at a geometry critical place.

Nice illustration of the power of geometry and the virtues of anticipating in photography.
Phil Douglis31-Jul-2009 02:34
Thanks, Jen, for adding your voice to the comments here. I love the way you describe your feelings as you look at this image. They are exactly what I had hoped to stimulate. Catching this moment was, as I note in the caption, very special. As Henri Cartier Bresson said, "there are no "maybes' in photography. You either have the moment or you don't. All the maybes should go into the trash." For every splendid moment I've caught, there are dozens of other moments long since deleted.
Jennifer Zhou28-Jul-2009 13:54
Oh, how can I resist an image like this! You have everything right in here, and everything falls into the exact right place. Phil, you made my heart pounding so fast, as if I was there nervously waiting for that very kick, afraid of missing THE moment. And you made me so relieved too, seeing an image as brilliant as this in front of my eyes!

Thanks for Jenene and Carol sharing their prospectives, I learned a lot. Thanks Phil for the inspiration, you made my day!! :)
Phil Douglis09-Jun-2009 15:39
As a designer, you are attuned to geometric shapes. The ball and the child's head are the only round shapes here, and the eye goes right to them. Exactly where we want it to go. Thanks, Carol.
Carol E Sandgren09-Jun-2009 04:53
I like the contrast of the rounded shape of the ball opposing all the rectangles and straight lines. My eye goes straight to the ball. Great playful feel to this image. He looks relaxed and seems to be enjoying himself.
Phil Douglis03-Dec-2008 06:18
Thanks, Jenene -- this was one of my favorite images from the entire two-week shoot. Yet I made it in the first few moments of the trip. It is indeed all about infectious enthusiasm, captured in a splash of light amidst a picturesque locale, and all in a split second of time.
JSWaters03-Dec-2008 05:17
The cheerful blue doors and windows serve as the perfect compliment to the carefree play of the boy. It's an image of infectious enthusiasm.
Jenene
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