There are works (from 400/500 pieces!) on colours and glazings on white coated paper,
by superimposition. I tried to combine instantaneity of chinese painting (without "the will"
- by using the "laisser-faire") and the directed stratification of the Dutch painters,
by using tranparent pigments in glazing, in a coherent ordering. It is an original technique
I perfected with particular crystalline matters. But it is impossible to reproduce here as well
the 3D illusion with the deepth, the intensity and the glow of the originals...