Oops, didn't see you there!
(By the way, are you spotting the "rock" shapes placed on the horizon in EVERY SHOT SO FAR(see intro)? Hmm: why am I doing this? Will there be any more repeats of the same rock-shape...?

Best way to think outa the box is Not Getting In The Box: use any lens and either format you wish for any purpose.
The wider angles allow you to relate the person to the landscape and make licensed objective-symbolic suggestions to the viewer about both, or of wider themes.

Do NOT be didactic: photo-bores are crushing bores as they'll try to be arty as well...and you canna ride a racehorse and carthorse at once canya!

If you're Sebastiao Salgado, fine; all others back off: allow "themes" to be suggestive. I try and "think about the edges first": a Hockney tenet I adhere to in terms of composition ...this allows the viewer to engage and wander about your shot(good idea, since you created it partly for him/her.)